History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
About the time when Lope was writing the Arcadia, he married Isabela de
Urbina, daughter of the King-at-arms to Philip the Second and Philip
the Third; a lady, we are told, not a little loved and admired in the
high circle to which she belonged.[213] But his domestic happiness
was soon interrupted. He fell into a quarrel with a nobleman of no
very good repute; lampooned him in a satirical ballad; was challenged,
and wounded his adversary;--in consequence of all which, and of other
follies of his youth that seem now to have been brought up against him,
he was cast into prison.[214] He was not, however, left without a true
friend. Claudio Conde, who on more than one occasion showed a genuine
attachment to Lope’s person, accompanied him to his cell, and, when he
was released, went with him to Valencia, where Lope himself was treated
with extraordinary kindness and consideration, though exposed, he says,
at times, to dangers as great as those from which he had suffered so
much at Madrid.[215]
[213] Her father, Diego de Urbina, was a person of some
consequence, and figures among the more distinguished natives of
Madrid in Baena, “Hijos de Madrid.”
[214] Montalvan, it should be noted, seems willing to slide over
these “frowns of fortune, brought on by his youth and aggravated
by his enemies.” But Lope attributes to them his exile, which
came, he says, from “love in early youth, whose trophies were
exile and its results tragedies.” (Epístola Primera á D. Ant. de
Mendoza.) But he also attributes it to false friends, in the fine
ballad where he represents himself as looking down upon the ruins
of Saguntum and moralizing on his own exile:--“Bad friends,” he
says, “have brought me here.” (Obras Sueltas, Tom. XVII. p. 434,
and Romancero General, 1602, f. 108.) But again, in the Second
Part of his “Philomena,” 1621, (Obras Sueltas, Tom. II. p. 452),
he traces his troubles to his earlier adventures; “love to hatred
turned.” “Love-vengeance,” he declares, “_disguised as justice_,
exiled me.”
[215] His relations with Claudio are noticed by himself in the
Dedication to that “true friend,” as he justly calls him, of the
well-known play, “Courting his own Misfortunes”; “which title,”
he adds, “is well suited to those adventures, when, with so
much love, you accompanied me to prison, from which we went to
Valencia, where we ran into no less dangers than we had incurred
at home, and where I repaid you by liberating you from the tower
of Serranos [a jail at Valencia] and the severe sentence you were
there undergoing,” etc. Comedias, Tom. XV., Madrid, 1621, f. 26.
Public-domain text, read in full here on John Shaqi.
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