History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[367] How the Spanish theatre, as it existed in the time of
Philip IV., ought to have been regarded may be judged by the
following remarks on such of its plays as continued to be
represented at the end of the eighteenth century, read in 1796 to
the Spanish Academy of History, by Jovellanos,--a personage who
will be noticed when we reach the period during which he lived.
“As for myself,” says that wise and faithful magistrate, “I
am persuaded there can be found no proof so decisive of the
degradation of our taste as the cool indifference with which we
tolerate the representation of dramas, in which modesty, the
gentler affections, good faith, decency, and all the virtues and
principles belonging to a sound morality, are openly trampled
under foot. Do men believe that the innocence of childhood and
the fervor of youth, that an idle and dainty nobility and an
ignorant populace, can witness without injury such examples of
effrontery and grossness, of an insolent and absurd affectation
of honor, of contempt of justice and the laws, and of public and
private duty, represented on the stage in the most lively colors,
and rendered attractive by the enchantment of scenic illusions
and the graces of music and verse? Let us, then, honestly
confess the truth. Such a theatre is a public nuisance, and the
government has no just alternative but to reform it or suppress
it altogether.” Memorias de la Acad., Tom. V. p. 397.
Elsewhere, in the same excellent discourse, its author shows that
he was by no means insensible to the poetical merits of the old
theatre, whose moral influences he deprecated.
“I shall always be the first,” he says, “to confess its
inimitable beauties; the freshness of its inventions, the charm
of its style, the flowing naturalness of its dialogue, the
marvellous ingenuity of its plots, the ease with which every
thing is at last explained and adjusted; the brilliant interest,
the humor, the wit, that mark every step as we advance;--but what
matters all this, if this same drama, regarded in the light of
truth and wisdom, is infected with vices and corruptions that can
be tolerated neither by a sound state of morals nor by a wise
public policy?” Ibid., p. 413.
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