History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
En vano trabajas, Lira,
De impidirme este camino,
Do mi voluntad y signo
Allá me convida y tira.
Tú rogarás entre tanto
A los Dioses, que me vuelvan
Con despojos que resuelvan
Tu miseria y mi quebranto.
_Lira._
Morandro, mi dulce amigo,
No vayas, que se me antoja,
Que de tu sangre veo roxa
La espada del enemigo.
No hagas esta jornada,
Morandro, bien de mi vida,
Que si es mala la salida,
Es muy peor la tornada.
Jorn. III., Sc. 1.
There is, in this scene, a tone of gentle, broken-hearted
self-devotion on the part of Lira, awakening a fierce despair in
her lover, that seems to me very true to nature. The last words
of Lira, in the passage translated, have, I think, much beauty in
the original.
He persists, and, accompanied by a faithful friend, penetrates into the
Roman camp and obtains bread. In the contest he is wounded; but still,
forcing his way back to the city, by the mere energy of despair, he
gives to Lira the food he has won, wet with his own blood, and then
falls dead at her feet.
A very high authority in dramatic criticism speaks of the Numancia
as if it were not merely one of the more distinguished efforts of
the early Spanish theatre, but one of the more striking exhibitions
of modern poetry.[122] It is not probable that this opinion will
prevail. Yet the whole piece has the merit of originality, and, in
several of its parts, succeeds in awakening strong emotions; so that,
notwithstanding the want of dramatic skill and adaptation, it may still
be cited as a proof of its author’s poetical talent, and, in the actual
condition of the Spanish stage when he wrote, as a bold effort to raise
it.
[122] A. W. von Schlegel, Vorlesungen über dramatische Kunst und
Literatur, Heidelberg, 1811, Tom. II. Abt. ii. p. 345.
CHAPTER XI.
CERVANTES NEGLECTED.--AT SEVILLE.--HIS FAILURE.--ASKS EMPLOYMENT IN
AMERICA.--AT VALLADOLID.--HIS TROUBLES.--PUBLISHES THE FIRST PART OF
DON QUIXOTE.--HE REMOVES TO MADRID.--HIS LIFE THERE.--HIS RELATIONS
WITH LOPE DE VEGA.--HIS TALES AND THEIR CHARACTER.--HIS JOURNEY
TO PARNASSUS, AND DEFENCE OF HIS DRAMAS.--PUBLISHES HIS PLAYS AND
ENTREMESES.--THEIR CHARACTER.--SECOND PART OF DON QUIXOTE.--HIS DEATH.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account