History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[147] The Church prayers on the stage, in this play and
especially in Jornada II., and the sort of legal contract used
to transfer the merits of the healthy saint to the dying sinner,
are among the revolting exhibitions of the Spanish drama which
at first seem inexplicable, but which anyone who reads far in
it easily understands. Cervantes, in many parts of this strange
play, avers the truth of what he thus represents, saying, “Todo
esto fué verdad”; “Todo esto fué así”; “Así se cuenta en su
historia,” etc.
The remaining four plays are no less various in their subjects and
no less lawless in the modes of treating them; and all the eight
are divided into three _jornadas_, which Cervantes uses as strictly
synonymous with acts.[148] All preserve the character of the Fool, who
in one instance is an ecclesiastic,[149] and all extend over any amount
of time and space that is found convenient to the action; the “Rufian
Dichoso,” for instance, beginning in Seville and Toledo, during the
youth of the hero, and ending in Mexico in his old age. The personages
represented are extravagant in their number,--once amounting to above
thirty,--and among them, besides every variety of human existences,
are Demons, Souls in Purgatory, Lucifer, Fear, Despair, Jealousy, and
other similar phantasms. The truth is, Cervantes had renounced all
the principles of the drama which his discreet canon had so gravely
set forth ten years earlier in the First Part of Don Quixote; and
now, whether with the consent of his will, or only with that of his
poverty, we cannot tell, but, as may be seen, not merely in the plays
themselves, but in a sort of induction to the second act of the Rufian
Dichoso, he had fully and knowingly adopted the dramatic theories of
Lope’s school.
[148] He uses the words as convertible. Tom. I. pp. 21, 22; Tom.
II. p. 25, etc.
[149] In the “Baños de Argel,” where he is sometimes indecorous
enough, as when, (Tom. I. p. 151), giving the Moors the reason
why his old general, Don John of Austria, does not come to subdue
Algiers, he says:--
Sin duda, que, en el cielo,
Debia de haber gran guerra,
Do el General faltaba,
Y á Don Juan se llevaron para serlo.
Public-domain text, read in full here on John Shaqi.
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