History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
The “Examen de Ingenios,” or How to determine, from the Physical
and External Condition, who are fit for Training in the Sciences,
by Juan de Huarte, (Alcalá, 1640, 12mo, first published in 1566,)
is one of them. It enjoyed a prodigious reputation in its time,
was often published in Spanish, and was translated into all the
principal languages of Europe; into English by Richard Carew,
1594; and, as late as the middle of the eighteenth century,
into German by a person no less distinguished than Lessing,
whose version, entitled “Prüfung der Köpfe,” was printed for
the second time at Wittenberg, 1785, 12mo. It is a work full of
striking, but often wild, conjectures in physiology, written in
a forcible, clear style, and Lessing aptly compares its author
to a spirited horse, that, in galloping over the stones, never
strikes fire so brilliantly as he does when he stumbles. It is
praised by Forner, (Obras, Madrid, 1843, 8vo, Tom. I. p. 61,)
and is on the Index Expurgatorius of 1667, p. 734. The “Examen
de Maridos,” a spirited play of Alarcon, (see, _ante_, II. 322,)
and the “Vexamen de Ingenios,” a lively prose satire of Cancer,
(Obras, 1761, p. 105,) were, I suppose, understood by their
contemporaries to have reference to the title of the “Examen de
Ingenios,” then very popular. A work not unlike the “Examen de
Ingenios” appeared at Barcelona, (1637, 4to,) entitled “El Sol
Solo, etc., y Anatomía de Ingenios,” taking a view of the same
subject more in the nature of Physiognomy, and not without an
approach to what has since been called Phrenology. It was written
by Estevan Pujasol, an Aragonese; and is curious for its manner
of treating the subjects it discusses,--half anatomical, half
spiritual; but is not otherwise interesting.
The second is the “Historia Moral y Philosóphica” of Pero Sanchez
of Toledo, published at Toledo, 1590, folio, when its author,
who was connected with the cathedral there, was already an old
man. It consists of the Lives of distinguished men of antiquity,
like Plato, Alexander, and Cicero, and ends with a treatise
on Death;--each of the Lives being accompanied by moral and
Christian reflections, which are sometimes written in a flowing
and fervent style, but are rarely appropriate, and never original
or powerful.
Public-domain text, read in full here on John Shaqi.
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