History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
The next year Melendez came to Madrid. He was received with great
kindness by Jovellanos and his friends; and obtained new honors at
the Academy of San Fernando, by an ode “On the Glory of the Arts,”
which that Academy had been founded to foster. But his preference was
still for his old poetical haunts on the banks of the Tórmes, and,
having obtained the chair of Professor of the Humanities or Philology,
at Salamanca, he gladly returned thither, and devoted himself to its
unostentatious duties.
In 1784, at the suggestion of Jovellanos, he became a competitor for
the prize offered by the city of Madrid for a comedy, and wrote “The
Marriage of Camacho.” But his talent was not dramatic; and therefore,
though he obtained the votes of the judges, he did not, to the great
disappointment of his patron, obtain those of the public when his drama
was brought to the test of a free representation.
This failure, however, he retrieved a year afterwards, by publishing
a small volume of poetry, chiefly lyric and pastoral. Most of it is
in the short, national verse, and nearly all is marked with a great
gentleness of spirit and a truly poetical sensibility. The Anacreontics
which it contains remind us of Villegas, but have more philosophy and
more tenderness than his. The ballads, for which his talent was no less
happily fitted, if they lack the abrupt vigor of the elder times, have
a grace, a lightness, and a finish which belong to that more advanced
period of a nation’s poetry, when the popular lyre has ceased to give
forth new and original tones. But everywhere this little volume shows
traces of an active fancy and powers of nice observation, which break
forth in rich and faithful descriptions of natural scenery, and in
glimpses of what is tenderest and truest in the human heart. It was,
in fact, a volume of poetry more worthy of the country than any that
had been produced in Spain since the disappearance of the great lights
of the sixteenth and seventeenth centuries; and it was received, in
consequence, with general enthusiasm, not only for its own sake, but as
the long-looked-for dawn of a brighter day.
Public-domain text, read in full here on John Shaqi.
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