History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
This was in 1778, when he was called to Madrid, as one of the principal
magistrates of the capital and court; a place that brought him again
into the administration of criminal justice, from which, during his
stay at Seville, he had been relieved. His duties were distasteful
to his nature, but he fulfilled them faithfully, and consoled himself
by intercourse with such men as Campomanes and Cabarrus, who devoted
themselves, as he did, to the great task of raising the condition of
their country. Of course, he had now little leisure for poetry. But,
being accidentally employed on affairs of consequence at the Paular
convent, he was so struck by the solemn scenery in which it stood, and
the tranquil lives of its recluse inhabitants, that his poetical spirit
broke out afresh in an address to Mariano Colon, one of the family of
the great discoverer of America, and afterwards its head;--a beautiful
epistle, full of the severe genius of the place that inspired it, and
of its author’s longing for a repose his spirit was so well fitted to
enjoy.
In 1780, he was raised to a place in the Council of Orders, where
he had more leisure, and was able to give his time to higher
objects;--some of the results of which are to be seen in his report
to the government on the military and religious Orders of Knighthood;
in his system of instruction for the Imperial College of Calatrava;
in his Discourse on the Study of History, as a necessary part of the
wise study of jurisprudence; and in other similar labors, which proved
him to be incontestably an excellent prose-writer, and the first
philosophical statesman in the kingdom.
At the same time, however, he amused himself with elegant literature,
and took great solace in collecting around him the poets and men of
letters whom he loved. In 1785, he wrote several burlesque ballads on
the quarrels of Huerta, Yriarte, and Forner about the theatre; and
the next year published two satires in blank verse and in the style
of Juvenal, rebuking the corrupted manners of his times. All of them
were received with favor; and the ballads, though not printed till
long afterwards, were perhaps only the more effective because they were
circulated in manuscript, and so became matters of great interest.
Public-domain text, read in full here on John Shaqi.
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