History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[391] One of the most odious of the acts that marked the
restoration of Ferdinand VII. related to the war of the
_Comuneros_, nearly three centuries before. After the execution
of Juan de Padilla and the exile of his noble wife, in 1521,
their house was razed to the ground, and an inscription
reproachful to their memory placed on the spot where it had
stood. This the Cortes removed, and erected in its stead a simple
monument in honor of the martyrs. In 1823, Ferdinand ordered
the simple monument of the Cortes to be destroyed, and replaced
the old inscription! But, since that time, Martinez de la Rosa
has erected a nobler monument to their memory in his “Viuda de
Padilla.” See Henri Ternaux, Les Comuneros, Paris, 1834, 8vo, p.
208; an interesting work and a work of authority, relying, in
part, on unpublished materials.
[392] Llorente, Hist. de l’Inquisition, Tom. IV. pp. 145-154.
Southey’s History of the Peninsular War, London, 1823, 4to, Tom.
I. The Inquisition was again abolished by the revolution or
change of 1820, and when the counterchange came, in 1823, failed
to find its place in the restored order of things. It may be
hoped, therefore, that this most odious of the institutions, that
have sheltered themselves under the abused name of Christianity,
will never again darken the history of Spain.
Amidst such violence and confusion,--when men slept in armour, as
they had during the Moorish contest, and knew not whether they should
be waked amidst their households or amidst their enemies,--elegant
letters, of course, could hardly hope to find shelter or resting-place.
The grave political questions, that agitated the country and shook
the foundations of society, were precisely those in which it might
be foreseen, that intellectual men would take the deepest interest
and expose themselves to sufferings and ruin, like the less favored
masses around them. And so, in fact, it proved. Nearly every poet
and prose-writer, known as such at the end of the reign of Charles
the Fourth, became involved in the fierce political changes of the
time;--changes so various and so opposite, that those who escaped from
the consequences of one were often, on that very account, sure to
suffer in the next that followed.
Public-domain text, read in full here on John Shaqi.
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