History of the Cathedral Church of Wells: As Illustrating the History of the Cathedral Churches of the Old FoundationFreeman, Edward A. (Edward Augustus)
History
History of the Cathedral Church of Wells: As Illustrating the History of the Cathedral Churches of the Old Foundation
Freeman, Edward A. (Edward Augustus)
Wells Cathedral
the kind must be more or less unsightly; thrust in as an after-thought,
to remedy a constructive defect, it cannot fail to interfere with the
original design and the original proportions. No one would have put
them there, if he could have helped it; if constructive reasons had
not called for the props, they would have been better away. When we
compare the way in which this needful, though unpleasant, work was
done in the different cases, we shall see a kind of clumsy ingenuity
about the Wells work which may call for a certain measure of praise. At
Salisbury and Canterbury the prop takes the form of a horizontal screen
running across the arches. Such a form is more elegant in itself, and
it interferes less with the general appearance of the building. But it
is more distinctly an excrescence; it forces itself more strongly on
the eye as something stuck in than when the props are worked into the
earlier work in the way that they are at Wells. You all know the low
arches under the lantern with the inverted arches on the top of them,
the great circles in the spandrils, the whole arch turned into a kind
of pattern of gigantic Geometrical tracery. It is very heavy, very
clumsy; till the eye gets thoroughly familiar with it, it seems very
ugly; but it is in every way ingenious. The prop is worked and fitted
into the old work in a way in which it is not in the other cases. I
can even think it possible that people who do not know the history,
and who do not at once see from its details that it is an insertion,
may even mistake it for part of the original design. And, granting
its position at all, granting the peculiar form which it takes, there
is something in the detail or rather lack of detail, something in the
great size of the few mouldings and the absence of capitals and shafts,
which seems to suit the boldness of the general outline. And I am not
sure whether there is not a further propriety in the form chosen. The
lines of the inverted arches roughly suggest a Saint Andrew's cross,
and it may be that we have here, now that the affairs of Wells were
beginning to brighten, a new trophy of success offered to the now
triumphant elder brother.[15]
Public-domain text, read in full here on John Shaqi.
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