History of the Cathedral Church of Wells: As Illustrating the History of the Cathedral Churches of the Old FoundationFreeman, Edward A. (Edward Augustus)
History
History of the Cathedral Church of Wells: As Illustrating the History of the Cathedral Churches of the Old Foundation
Freeman, Edward A. (Edward Augustus)
Wells Cathedral
If we turn to the east end, we shall, as I have already said, find
the church of Wells holding a far higher position among its fellows.
The east ends of English churches are of various kinds; the apsidal
form, that most usual on the Continent, being the rarest. We do indeed
find the German apse without aisles repeated at Lichfield, and the
French apse with its divergent chapels is found on a vast scale at
Westminster, and on a smaller at Tewkesbury. And there are a few other
examples of apses of less merit and importance at Pershore, Coventry,
Wrexham, and a few other places.[22] But the apsidal arrangement never
was thoroughly English. Of the three great examples Tewkesbury is the
only one where the apse fills its proper function of a canopy over the
high altar. At Westminster the high altar is displaced by the shrine
of Eadward the Confessor, and at Lichfield it is not the choir, but
a Lady chapel of the full height, of which the apse is the ending.
English east ends fall for the most part under two classes. Sometimes,
as at York, Lincoln, Ely, Beverley, and Southwell, the Lady chapel
and whatever else stands east of the high altar is carried on at the
full height of the church. In other cases, as at Winchester, Hereford,
Exeter, and Salisbury, the Lady chapel and other chapels east of the
choir are much lower than the main body of the church. Now of these
arrangements I confess that I myself prefer the apse to all others.
No other plan gives such dignity to the high altar, or makes it so
evidently the central and crowning point of the whole church. There
is undoubtedly great stateliness in such an arrangement as that of
York and Lincoln; but its good effect is almost wholly confined to the
outside. The high altar seems to have come where it is by accident;
its position is marked by a mere screen, not by anything in the
arrangement of the building itself. In the third arrangement, where
all that is east of the choir is much lower than the choir, some share
of its proper dignity is or may be restored to the high altar. But,
on the other hand, it is not easy to add on a lower building which
shall be in full harmony with the loftier parts of the church. There
is something insignificant about the Lady chapel at Salisbury, and it
is hard to admire, externally at least, the long masses of low chapels
at Winchester and Saint Alban's. A happy accident, as I have already
explained, gave the opportunity at Wells of producing a form of east
end which I think certainly surpasses all others of its class. The
general outline and proportion of the church are no less excellent,
and it is fortunate in having had everything finished, and in having
nothing destroyed. At Hereford, as I have already said, the western
tower has vanished, and it has carried part of the nave away with it.
But, even while it stood, the single western tower could never have
grouped so well with the central lantern as the two western towers at
Wells.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account