Such, to a certain extent, is the fact; and this circumstance affords a means of comparison which would alone render his works of great value in arriving at just historic conclusions. But Garcilasso wrote late in life, after the story had been often told by Castilian writers. He naturally deferred much to men, some of whom enjoyed high credit on the score both of their scholarship and their social position. His object, he professes, was not so much to add any thing new of his own, as to correct their errors and the misconceptions into which they had been brought by their ignorance of the Indian languages and the usages of his people. He does, in fact, however, go far beyond this; and the stores of information which he has collected have made his work a large repository, whence later laborers in the same field have drawn copious materials. He writes from the fulness of his heart, and illuminates every topic that he touches with a variety and richness of illustration, that leave little to be desired by the most importunate curiosity. The difference between reading his Commentaries and the accounts of European writers is the difference that exists between reading a work in the original and in a bald translation. Garcilasso's writings are an emanation from the Indian mind. Yet his Commentaries are open to a grave objection,--and one naturally suggested by his position. Addressing himself to the cultivated European, he was most desirous to display the ancient glories of his people, and still more of the Inca race, in their most imposing form. This, doubtless, was the great spur to his literary labors, for which previous education, however good for the evil time on which he was cast, had far from qualified him. Garcilasso, therefore, wrote to effect a particular object. He stood forth as counsel for his unfortunate countrymen, pleading the cause of that degraded race before the tribunal of posterity. The exaggerated tone of panegyric consequent on this becomes apparent in every page of his work. He pictures forth a state of society such as an Utopian philosopher would hardly venture to depict. His royal ancestors became the types of every imaginery excellence, and the golden age is revived for a nation, which, while the war of proselytism is raging on its borders, enjoys within all the blessings of tranquillity and peace. Even the material splendors of the monarchy, sufficiently great in this land of gold, become heightened, under the glowing imagination of the Inca chronicler, into the gorgeous illusions of a fairy tale.