The natives showed a skill in other mechanical arts similar to that displayed by their manufacturers of cloth. Every man in Peru was expected to be acquainted with the various handicrafts essential to domestic comfort. No long apprenticeship was required for this, where the wants were so few as among the simple peasantry of the Incas. But, if this were all, it would imply but a very moderate advancement in the arts. There were certain individuals, however, carefully trained to those occupations which minister to the demands of the more opulent classes of society. These occupations, like every other calling and office in Peru, always descended from father to son. *14 The division of castes, in this particular, was as precise as that which existed in Egypt or Hindostan. If this arrangement be unfavorable to originality, or to the development of the peculiar talent of the individual, it at least conduces to an easy and finished execution by familiarizing the artist with the practice of his art from childhood. *15 [Footnote 14: Ondegardo, Rel. Prim. et Seg., Mss. - Garcillaso, Com. Real., Parte 1, lib. 5, cap. 7, 9, 13.] [Footnote 15: At least, such was the opinion of the Egyptians, who referred to this arrangement of castes as the source of their own peculiar dexterity in the arts. See Diodorus Sic., lib. 1, sec. 74.] The royal magazines and the huacas or tombs of the Incas have been found to contain many specimens of curious and elaborate workmanship. Among these are vases of gold and silver, bracelets, collars, and other ornaments for the person; utensils of every description, some of fine clay, and many more of copper; mirrors of a hard, polished stone, or burnished silver, with a great variety of other articles made frequently on a whimsical pattern, evincing quite as much ingenuity as taste or inventive talent. *16 The character of the Peruvian mind led to imitation, in fact, rather than invention, to delicacy and minuteness of finish, rather than to boldness or beauty of design. [Footnote 16: Ulloa, Not. Amer., ent. 21. - Pedro Pizarro, Descub. y Conq., Ms. - Cieza de Leon, Cronica, cap. 114. - Condamine, Mem. ap. Hist. de l'Acad. Royale de Berlin, tom. II. p. 454-456.