the tribes that fought under the Gothic banners are sometimes distinguished and sometimes confounded in the imperfect histories of that age; and as the barbarian fleets seemed to issue from the mouth of the Tanais, the vague but familiar appellation of Scythians was frequently bestowed on the mixed multitude. Chapter X: Emperors Decius, Gallus, Æmilianus, Valerian And Gallienus.—Part IV. In the general calamities of mankind, the death of an individual, however exalted, the ruin of an edifice, however famous, are passed over with careless inattention. Yet we cannot forget that the temple of Diana at Ephesus, after having risen with increasing splendor from seven repeated misfortunes, was finally burnt by the Goths in their third naval invasion. The arts of Greece, and the wealth of Asia, had conspired to erect that sacred and magnificent structure. It was supported by a hundred and twenty-seven marble columns of the Ionic order. They were the gifts of devout monarchs, and each was sixty feet high. The altar was adorned with the masterly sculptures of Praxiteles, who had, perhaps, selected from the favorite legends of the place the birth of the divine children of Latona, the concealment of Apollo after the slaughter of the Cyclops, and the clemency of Bacchus to the vanquished Amazons. Yet the length of the temple of Ephesus was only four hundred and twenty-five feet, about two thirds of the measure of the church of St. Peter’s at Rome. In the other dimensions, it was still more inferior to that sublime production of modern architecture. The spreading arms of a Christian cross require a much greater breadth than the oblong temples of the Pagans; and the boldest artists of antiquity would have been startled at the proposal of raising in the air a dome of the size and proportions of the Pantheon. The temple of Diana was, however, admired as one of the wonders of the world. Successive empires, the Persian, the Macedonian, and the Roman, had revered its sanctity and enriched its splendor. But the rude savages of the Baltic were destitute of a taste for the elegant arts, and they despised the ideal terrors of a foreign superstition.