Constantine, have alike disregarded two very remarkable passages of two orations pronounced under the succeeding reign. The former celebrates the virtues, the beauty, and the fortune of the empress Fausta, the daughter, wife, sister, and mother of so many princes. 25 The latter asserts, in explicit terms, that the mother of the younger Constantine, who was slain three years after his father’s death, survived to weep over the fate of her son. 26 Notwithstanding the positive testimony of several writers of the Pagan as well as of the Christian religion, there may still remain some reason to believe, or at least to suspect, that Fausta escaped the blind and suspicious cruelty of her husband. 2611 The deaths of a son and a nephew, with the execution of a great number of respectable, and perhaps innocent friends, 27 who were involved in their fall, may be sufficient, however, to justify the discontent of the Roman people, and to explain the satirical verses affixed to the palace gate, comparing the splendid and bloody reigns of Constantine and Nero. 28 21 (return) [ In order to prove that the statue was erected by Constantine, and afterwards concealed by the malice of the Arians, Codinus very readily creates (p. 34) two witnesses, Hippolitus, and the younger Herodotus, to whose imaginary histories he appeals with unblushing confidence.] 22 (return) [ Zosimus (l. ii. p. 103) may be considered as our original. The ingenuity of the moderns, assisted by a few hints from the ancients, has illustrated and improved his obscure and imperfect narrative.] 23 (return) [ Philostorgius, l. ii. c. 4. Zosimus (l. ii. p. 104, 116) imputes to Constantine the death of two wives, of the innocent Fausta, and of an adulteress, who was the mother of his three successors. According to Jerom, three or four years elapsed between the death of Crispus and that of Fausta. The elder Victor is prudently silent.] 24 (return) [ If Fausta was put to death, it is reasonable to believe that the private apartments of the palace were the scene of her execution. The orator Chrysostom indulges his fancy by exposing the naked desert mountain to be devoured by wild beasts.] 25 (return) [ Julian. Orat. i. He seems to call her the mother of Crispus. She might assume that title by adoption. At least, she was not considered as his mortal enemy. Julian compares the fortune of Fausta with that of Parysatis, the Persian queen. A Roman would have more naturally recollected the second Agrippina: Et moi, qui sur le trone ai suivi mes ancêtres: Moi, fille, femme,sœur, et mere de vos maitres.]