115 (return) [ Claudian feels the honor like a man who deserved it, (in praefat Bell. Get.) The original inscription, on marble, was found at Rome, in the fifteenth century, in the house of Pomponius Laetus. The statue of a poet, far superior to Claudian, should have been erected, during his lifetime, by the men of letters, his countrymen and contemporaries. It was a noble design.] 116 (return) [ See Epigram xxx. Mallius indulget somno noctesque diesque: Insomnis Pharius sacra, profana, rapit. Omnibus, hoc, Italae gentes, exposcite votis; Mallius ut vigilet, dormiat ut Pharius. Hadrian was a Pharian, (of Alexandrian.) See his public life in Godefroy, Cod. Theodos. tom. vi. p. 364. Mallius did not always sleep. He composed some elegant dialogues on the Greek systems of natural philosophy, (Claud, in Mall. Theodor. Cons. 61-112.)] 117 (return) [ See Claudian’s first Epistle. Yet, in some places, an air of irony and indignation betrays his secret reluctance. * Note: M. Beugnot has pointed out one remarkable characteristic of Claudian’s poetry, and of the times—his extraordinary religious indifference. Here is a poet writing at the actual crisis of the complete triumph of the new religion, the visible extinction of the old: if we may so speak, a strictly historical poet, whose works, excepting his Mythological poem on the rape of Proserpine, are confined to temporary subjects, and to the politics of his own eventful day; yet, excepting in one or two small and indifferent pieces, manifestly written by a Christian, and interpolated among his poems, there is no allusion whatever to the great religious strife. No one would know the existence of Christianity at that period of the world, by reading the works of Claudian. His panegyric and his satire preserve the same religious impartiality; award their most lavish praise or their bitterest invective on Christian or Pagan; he insults the fall of Eugenius, and glories in the victories of Theodosius. Under the child,—and Honorius never became more than a child,—Christianity continued to inflict wounds more and more deadly on expiring Paganism. Are the gods of Olympus agitated with apprehension at the birth of this new enemy? They are introduced as rejoicing at his appearance, and promising long years of glory. The whole prophetic choir of Paganism, all the oracles throughout the world, are summoned to predict the felicity of his reign. His birth is compared to that of Apollo, but the narrow limits of an island must not confine the new deity— ... Non littora nostro Sufficerent angusta Deo.