to their presence, their table, and even to the freedom of an innocent embrace. When Maximin offered his presents to Cerca, the principal queen, he admired the singular architecture on her mansion, the height of the round columns, the size and beauty of the wood, which was curiously shaped or turned or polished or carved; and his attentive eye was able to discover some taste in the ornaments and some regularity in the proportions. After passing through the guards, who watched before the gate, the ambassadors were introduced into the private apartment of Cerca. The wife of Attila received their visit sitting, or rather lying, on a soft couch; the floor was covered with a carpet; the domestics formed a circle round the queen; and her damsels, seated on the ground, were employed in working the variegated embroidery which adorned the dress of the Barbaric warriors. The Huns were ambitious of displaying those riches which were the fruit and evidence of their victories: the trappings of their horses, their swords, and even their shoes, were studded with gold and precious stones; and their tables were profusely spread with plates, and goblets, and vases of gold and silver, which had been fashioned by the labor of Grecian artists. The monarch alone assumed the superior pride of still adhering to the simplicity of his Scythian ancestors. The dress of Attila, his arms, and the furniture of his horse, were plain, without ornament, and of a single color. The royal table was served in wooden cups and platters; flesh was his only food; and the conqueror of the North never tasted the luxury of bread.