But it is not with the literary value of the "Paradise Lost" that we are here concerned. Its historic importance lies in this, that it is the Epic of Puritanism. Its scheme is the problem with which the Puritan wrestled in hours of gloom and darkness--the problem of sin and redemption, of the world-wide struggle of evil against good. The intense moral concentration of the Puritan had given an almost bodily shape to spiritual abstractions before Milton gave life and being to the forms of Sin and Death. It was the Puritan tendency to mass into one vast "body of sin" the various forms of human evil, and by the very force of a passionate hatred to exaggerate their magnitude and their power, to which we owe the conception of Milton's Satan. The greatness of the Puritan aim in the long and wavering struggle for justice and law and a higher good, the grandeur of character which the contest developed, the colossal forms of good and evil which moved over its stage, the debates and conspiracies and battles which had been men's life for twenty years, the mighty eloquence and the mightier ambition which the war had roused into being--all left their mark on the "Paradise Lost." Whatever was highest and best in the Puritan temper spoke in the nobleness and elevation of the poem, in its purity of tone, in its loftiness of conception, in its ordered and equable realization of a great purpose. Even in his boldest flights Milton is calm and master of himself. His touch is always sure. Whether he passes from Heaven to Hell or from the council hall of Satan to the sweet conference of Adam and Eve his tread is steady and unfaltering. [Sidenote: Its defects.]