History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
The cabriolet, introduced by Josiah Child in 1755, was a light
two-wheeled carriage which obtained great popularity in Paris. Horace
Walpole, writing to his friend Mann in the same year, says:
‘All we hear from France is, that a new madcap reigns there,
as strong as that of Pantins was.[111] This is _la fureur de
cabriolets_, Anglicè one-horse chairs, a mode introduced by Mr.
Child. Everything is to be _en cabriolet_; the men paint them
on their waistcoats, have them embroidered for clocks to their
stockings, and the women, who have gone all the winter without
anything on their heads, are now muffled up in great caps, with round
sides, in the form of, and scarce less than, the wheels of chaises.’
Two varieties of these rare fans appear in different collections; a
larger and richer fan measuring some twenty inches and opening out to a
little more than a third of a circle, the sticks numbering twenty-one,
including the panaches; another about an inch smaller, with less
carving on the sticks, and made at a later date.
[Illustration: ‘Cabriolet’ Fan, stick ivory, painted, leaf paper.
Lady Northcliffe.]
[Illustration: ‘Cabriolet’ Fan, stick ivory, finely carved, painted &
gilt.
The Dowager Marchioness of Bristol.]
[Illustration: ‘Cabriolet’ Fan, stick ivory, carved and painted.
The Dowager Marchioness of Bristol.]
The fine example illustrated from the collection of Lady Bristol has
nine cabriolets, two on the larger and three on the smaller paper
mounts, two on the brins, and two on the panaches. The upper portion of
the ivory stick is carved with three series of three figures enclosed
in an ornamental setting, and one on each panache, with ‘goldfish’
inlay. The lower portion has two large cartouches of figure subjects
also with ‘goldfish’ inlay, and a smaller one painted, the whole of the
stick elaborately painted and gilt. A similar fan is in the possession
of the Comtesse de Chambrun, Paris, and was exhibited at South
Kensington in 1870.
Two examples of the smaller variety are given from the collections of
Lady Northcliffe and Lady Bristol, similar in general character, but
presenting slight differences in detail. On each of these fans only
one cabriolet appears, painted decoration taking the place of the rich
carving and gilding on the stick of the larger fan.
Public-domain text, read in full here on John Shaqi.
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