History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
Sandalwood is pierced and painted in a similar way to ivory,
forget-me-nots being a favourite _motif_ for the decoration, first
on account of their suitability of sentiment—as love-gifts—and also
by reason of the blue of the flower harmonising with the colour of
the sandalwood. In some examples the background of this forget-me-not
wreath or border is pierced, the connecting ribbon being also blue of a
slightly different tint to the flowers.
The horn-fans are either pierced entirely in flat open work, or
painting is employed as an additional enrichment, both sides of the
fan being usually decorated with garlands in gouache. A pretty fan in
the Wyatt collection has five heart-shaped garlands with the colour
of the flowers alternately red and pink, the light-blue connecting
ribbon forming a very effective contrast to the natural colour of the
horn; indeed the connecting ribbon in each instance forms a decorative
feature, the colours being of pink, blue, brown, or white, as the
colour scheme demands. The horn is either of its natural colour, or
stained to various hues, generally saffron.
There are also the small fans decorated with spangles, much in vogue
both in Holland and elsewhere towards the close of the eighteenth
century and later. The mounts are of white gauze or net, decorated with
pierced and cut steel ornaments and spangles, embroidered with gold
thread and braid, the stick and guards usually of stained horn inlaid
with steel.
A charming example of the small spangled Dutch fan is of silk, with
an inserted band of gauze ornamented with silver spangles and stamped
silver ornaments, the stick and guards of horn with inserted spangles.
Dutch sticks often present qualities which are remarkable and unusual,
the curious example owned by Mr. Messel being a case in point. This, by
a device at once simple, ingenious, and effective, is made to resemble,
when closed, a Chinese pagoda, and is probably an imitation of a
Chinese original. The leaf is of small interest, being poorly painted
in the Chinese taste; the costumes of the figures are, however, of
applied straw of various colours.
Public-domain text, read in full here on John Shaqi.
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