History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
‘Admirons son noble courage,
Son Joquet se trouve en danger,
Ce Héros se jette à la nage,
Rien ne lui paroit étranger.
* * * * *
Exaltons le Prince fait homme
Célébrons ses nobles vertus
Et qu’en tous lieux on le renom̃e
Comme on a renom̃é Titus,
fin.’
The assembly of notables is duly recorded. We see majesty enthroned
with a royal prince on either side; Monsieur de Calonne reads his
speech, a clerk seated at the table. Inscribed at the top of the
fan, ‘L’Assemblée des Notables commencée le 22 Février 1787.’ On the
reverse, the king’s oration, with the extract from that of Monsieur
Calonne, together with a song entitled ‘Ronde Joieuse à l’Occasion de
l’Assemblée des Notables.’[136]
Carlyle thus refers to the popular comments upon this event:—‘The
gaping populace gapes over Wood-cuts or Copper-cuts; where, for
example, a Rustic is represented convoking the Poultry of his barnyard,
with this opening address: “Dear animals, I have assembled you
to advise me what sauce I shall dress you with”; to which a Cock
responding, “We don’t want to be eaten,” is checked by “You wander from
the point (Vous vous écartez de la question).” Laughter and logic;
ballad-singer, pamphleteer; epigram and caricature: what wind of public
opinion is this—as if the Cave of the Winds were bursting loose!’
Of the events which immediately preceded and culminated in that of
the 14th July, the fan says little, except in reference to that
dread disease ‘consumption of the purse.’ The people have their
States-General—the king is represented as leaning upon a bust of
Necker, and holding a cornucopia from which issues gold; inscribed
above, ‘L’Heureuse Union des trois États Généraux sous le bon plaisir
de Louis Auguste XVI. par les soins de Mr. Necker en 1789.’
On another fan (brisé) the three orders of clergé, noblesse, and Tiers
État appear represented by single figures in medallions.
Of two fans having reference to the enforcement of public contributions
by Necker, one figures Louis and the dauphin standing before an open
box, with a Necker, who has developed wings, opening the box and
abstracting a bag of money: other matters, less significant, appear.
On the other fan is figured a lady and gentleman in a carriage
driving through a wood, with a parcel under the carriage inscribed
Contributions; an officer with a woman riding on the opposite side of
the fan, the two meeting at the junction of the two roads.
Public-domain text, read in full here on John Shaqi.
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