History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
The popularity on the Continent of this form of autograph fan is
evidenced by the fact that three examples were shown at Karlsruhe
in 1891 from the collection of Herr Conrad Dreher of Munich. These
included the work of such well-known German artists as Ernst
Zimmermann, Franz Stuck, Lenbach, Holmberg, Löwith, Diez, Hermann
Kaulbach, and others.
At Karlsruhe, also, was shown an autograph fan belonging to the
Baroness Friederichsy, on which were the signatures of all the
diplomatists who attended the Berlin Congress. Countess Onola possesses
a similar fan, with the autographs of the royal family and the more
distinguished personages of the Berlin Court, including Prince Bismarck
and Count Moltke.
Mrs. Joachim-Gibson has a ‘Wagner’ fan, with printed portrait of the
master, views of the Wagner theatre and of Bayreuth, and, on the
reverse, autographs of famous Wagner singers.
[Illustration: Lace Fan, presented to H.M. Queen Alexandra for use on
Coronation day, 1902, by the Worshipful Company of Fan Makers.
Her Majesty the Queen.]
Among novelties or curiosities in fans is an example shown at the
Vienna Exhibition in 1873, in which each rib was a knife or a fork, or
a spoon, or a comb, or a pair of scissors, etc. Any single piece could
be removed for use without spoiling the _tout ensemble_.
In the exhibition of the Fanmakers’ Company at Drapers’ Hall in 1890,
a ‘butterfly fan’ appeared. Two large gauze wings, speckled and veined
to imitate a gigantic insect, form the fan, the body represented by the
handle; upon pressing a button or spring, the wings are set in motion,
and, by their fluttering, fan the bearer.
Mrs. Kendal, the famous actress, is also credited with a little
surprise, in the shape of a ‘dressing-case fan.’ This is a fan and
entire toilet-case in one, and affords its owner an opportunity
of beautifying herself on occasions when the ordinary means are
unattainable. The sticks are of silver, the leaf of black gauze, with
a black velvet mask, resembling those the Venetians carry at Carnival
time, set in the centre. Behind this mask, which permits the owner to
see everything, may be carried on all the toilet duties for which the
fan contains conveniences. Upon turning back one of the broad outer
sticks, a little mirror is revealed, and underneath the other is a
receptacle for hair-pins, scissors, glove-hook, etc. At the lower end
of the fan is a silver box containing a small powder-puff. This was
advertised some ten or fifteen years ago as manufactured by Messrs. W.
Thornhill and Co.
The employment of the ostrich feather for the folding-fan has been
revived during recent years, following an older custom. Many examples
occurring in old engravings and pictures may be cited; amongst them
the portrait group of the family of Jan Miense Molenaer, by Van Loon,
previously referred to, in which a lady holds a folding-fan of white
ostrich feathers. (See illustration, p. 196.)
Public-domain text, read in full here on John Shaqi.
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