History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
M. Viollet-le-Duc’s meaning as to the probable construction of this fan
is not so clearly stated as might possibly be desired. We take it that
these pieces were but the ornaments of a folding-fan formed of ivory,
wood, or other material on the modern principle—that the large piece
_B_ formed the shoulder, to be completed by another piece forming
the guard proper. However this may be, and whether these pieces really
formed part of a folding-fan or not, this author, in the concluding
portion of his note, has expressed a truth which it is not possible to
gainsay, viz. that the principle of the folding-fan already existed, in
the form of the cockade, and that it is only necessary to divide the
cockade in two parts, and to protect the ends with some firm substance,
to arrive at the folded fan as we now know it. Indeed this was
done—fans were carried towards the close of the sixteenth century which
consisted of a segment of a cockade, inserted in a long handle similar
to that of the plumed fan, thus uniting the characteristics of both
plumed and folded fan. Vecellio, _Habiti antichi et moderni di tutto
il mondo_, 1590, figures these small fans, of which two illustrations
are given. We are thus presented with a decorative development which
is gradual, reasonable, and complete, a development quite conceivably
independent of any importation from the East, and of itself bridging
over the gap that otherwise would have existed between two apparently
opposing types.
[Illustration: A]
[Illustration: B]
[Illustration: SMALL RIGID FANS. (From Vecellio.)]
Any speculations as to how this fan of M. Viollet-le-Duc came to exist
would therefore be idle; the type was no new one. We have already
referred to the pleated fan crest, seen on the heads of horses in
Phœnician and Persian monuments.[85] A similar fan crest appears on the
horse’s head in the
Brétigny seal of Edward III., engraved in consequence of the Treaty
of Brétigny, 1360, by which this monarch renounced the title of King
of France. This appeared again in the seal with the altered legend in
which he resumed the title—the period of its use, 1372-77. This same
seal with fan crest was used successively by Richard II., Henry IV.
(first seal), and Henry VI. (silver seal), the legend only altered.
A still more remarkable example is the large displayed fan crest (the
earliest authenticated instance of a regular crest),[86] in the centre
of which is a lion _passant_, on the top of the flat helmet of Cœur de
Lion (second seal, 1197-99), used after his return from captivity, and
quite possibly, therefore, borrowed from the East.
The fan-plume or panache appears also on the flat-topped helmet of
Alexander III., King of Scots (second seal); the horse also bearing the
fan-plume.
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