History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
It has been shown, beyond any possibility of doubt, that during the
seventeenth century French exportation of this dainty article to Spain
was considerable, French fans enjoying the best reputation in that
country, as well as in Italy, and that this pre-eminence was maintained
during the succeeding century, the period of the highest development of
the fan industry in France; but while it is difficult to associate
the native Spanish workmanship with fans of the highest calibre,
a preference for the richer French fans having always prevailed,
it is certain that the production of the cheaper fans was, and is,
considerable, Valencia being the chief centre of the industry. It is
equally certain that in no country in Europe is the employment of the
fan so general, or the toy so gracefully wielded, as in this land of
light, colour, and romance.
Théophile Gautier (_Tra los montes_) thus refers to the importance of
the fan in Spain: ‘The Fan corrects in some measure the pretension of
the Spaniards to Parisianism. A woman without a fan is a thing I have
never yet seen in that favoured land; I have seen women wearing satin
shoes without any stockings, but they had, nevertheless, their fans,
which follow them everywhere, even to church, where you meet groups
of all ages, kneeling or sitting, praying and fanning themselves with
equal fervour.’
‘We should remember,’ says Disraeli (_Contarini Fleming_), ‘that here
[Cadiz], as in the north, the fan is not confined to the delightful
sex. The cavalier also has his fan; and, that the habit may not be
considered an indication of effeminacy, learn that in this scorching
clime the soldier will not mount guard without this solace.’
In Spain, as in China and Japan, there is a fan for every occasion—for
the street, where paper ones are used, these affording more breeze on a
sultry day than do lace or silk; for feast days, bull-fights,[95] and
the theatre, silk or lace fans, mounted on sandalwood, bone, ivory,
or mother-of-pearl. A favourite material is silk, mounted on a carved
wooden frame which opens and shuts easily, a most essential thing in a
Spanish fan, which is perpetually in motion, portraying the feelings
and thoughts that are passing through the mind of its owner.
The fan is in the hands of every one, from the merest baby to the big
toreador, who employs it as a means of exciting the ire of his bovine
adversary. It serves as convenient screen for the dark-eyed beauty,
who, seated in the balcony in the still evening, listens eagerly to the
impassioned serenade beneath.
Public-domain text, read in full here on John Shaqi.
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