At the dawn of European civilization, Egypt was, therefore, in process of decadence, gradually becoming less and less able to resist its own interior causes of destruction, or the attempts of its Asiatic rivals, who eventually brought it to ruin. At the first historical appearance of the country of the Nile it is hoary and venerable with age. The beautiful Scripture pictures of the journey of Abram and Sarai, in the famine, the going down of Joseph, the exodus of the Israelites, all point to a long-settled system, a tranquil and prosperous state. Do we ask any proof of the condition of art to which the Egyptians had attained at the time of their earliest monuments? The masonry of the Great Pyramid, built thirty-four hundred years before Christ, has never yet been surpassed. So accurately was that wonder of the world planned and constructed, that at this day the variation of the compass may actually be determined by the position of its sides; yet, when Jacob went into Egypt, that pyramid had been built as many centuries as have intervened from the birth of Christ to the present day. If we turn from the monuments to their inscriptions, there are renewed evidences of antiquity. The hieroglyphic writing had passed through all its stages of formation; its principles had become ascertained and settled long before we gain the first glimpse of it; the decimal and duodecimal systems of arithmetic were in use; the arts necessary in hydraulic engineering, massive architecture, and the ascertainment of the boundaries of land, had reached no insignificant degree of perfection. Indeed, there would be but very little exaggeration in affirming that we are practically as near the early Egyptian ages as was Herodotus himself. Well might the Egyptian priests say to the earliest Greek philosophers, "You Greeks are mere children, talkative and vain; you know nothing at all of the past." [Sidenote: Prehistoric life of Egypt.]