History of the Jesuits: Their origin, progress, doctrines, and designsNicolini, G. B. (Giovanni Battista)
History
History of the Jesuits: Their origin, progress, doctrines, and designs
Nicolini, G. B. (Giovanni Battista)
Jesuits -- History
But methinks I hear some one say, do you believe that the court of
Rome persisted in such a contest because she abhorred such idolatrous
practices? By no means. The Popes fought for their authority, for the
infallibility of their oracles, and not to uphold the purity of the
Christian religion. Superstition—idolatry—they like, they encourage, they
live by it. Under their eyes such acts of idolatrous abominations are
daily committed, that those of India become insignificant when compared
with them. I beg permission to relate only one, which, if the fact could
not be ascertained by any one every year in many of the Italian towns,
I fear would not be credited, so very sacrilegious is it. In the little
town of San Lorenzo in Campo,[111] forty miles distant from Ancona, the
following procession takes place on the Good Friday of every year. The
line of procession extends from the town, through an almost open country,
for about a mile and a half, the whole way having been previously
prepared for the purpose. On platforms, erected at certain distances,
the different stages of our Saviour’s passion are represented. On one of
them you see the judgment-seat, and Pilate condemning Christ to death;
on another, Christ crowned with thorns; on a third, Christ falling under
the load of the cross on his way to Calvary, and so on. Next comes the
crucifixion, represented in four different acts. The first exhibits
Christ with one of his hands nailed to the cross; the second, with both
his hands nailed; the third, with both hands and feet; and in the fourth,
our holy Redeemer is exhibited as expiring, and with his breast pierced
by a spear. At the foot of the cross may be seen the three Maries. All
these personages chosen to represent our Lord’s passion, are picked out
from the very dregs of the people, and are paid more or less, according
to the uneasiness of the posture which they are made to assume. He who
personates our Saviour receives the greatest pay, a crown; while the
respective representatives of Pilate and Mary obtain the smallest named,
eighteenpence. All these sacrilegious pantomimers are at their post
half an hour before the procession begins, and dressed suitably to the
character impersonated by each. The miscreant who hangs upon the cross
(we shudder to relate such abominations) has only a belt around his
middle, the cross being so constructed as to lessen the difficulty of his
posture. About an hour and a half after sunset, the priests, in their
pontifical robes, issue from the church, accompanied by all the civil
authorities, and by a great concourse of citizens dressed in mourning,
and carrying lighted torches in their hands. On their way they kneel down
before every platform, offer up a prayer, and sing a part of some sacred
hymn! This impious ceremony is performed with becoming gravity so soon as
the priests and the bulk of the procession draw nigh to the respective
platforms; but before their arrival, and after their departure, the scene
Public-domain text, read in full here on John Shaqi.
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