Bobadilla’s expulsion seemed to have been the signal for the outburst of a violent war against the order, especially in Spain. The fight began at Salamanca. Three Jesuits, Sanci, Capella, and Turrian, arrived there in 1548, for the purpose of establishing their Society. They entered the town in the most pitiable condition, and were so poor, that, “having no image to adorn the altar of their private chapel with, they in its stead put a piece of paper, upon which was delineated, I do not know what figure—‘Impressam nescio,’ says Orlandini, ‘quam in papyro figuram, pro scite picta tabula collocarent.’”[69] And Crétineau thus translates it:—“In consequence” (of having no picture), “one of them simply sketched on a piece of paper an image of the Virgin, and this paper, stuck on the wall, was the only ornament of the high altar.”[70] I must say I feel surprised at their candour! You confess, then, that you worship a dirty scrap of paper, upon which you do not know what sort of figure was represented, or you scratch four lines and make it the object of your cultus—the indispensable ornament of your altar, upon which you are going to renew the sacrifice of the Cross! Ah! we already knew that your religion only consisted in externalities—in blind and absurd superstitions. Yet we register this other example to prove your own idolatry, and your constant practice, to represent Christ the Lord in the background, while adoring images and statues which you have made according to your hearts’ wishes, as our great poet says, of gold and silver— “Fatto v’avete Dio d’oro e, d’argento.”—_Dante_, _Inferno_, cant. xix. However, there lived at that time at Salamanca a Dominican friar, famous for his eloquence, his learning, and particularly for his uprightness of purpose—Melchior Cano. He had known Loyola, and formed a bad opinion of him, because he never ceased speaking of his revelations, his visions, his virtues, his undeserved persecutions. After his disciples came to Salamanca, equipped only with their bigoted fanaticism, and of doubtful morality, he resolved to oppose them, and poured forth against them, from his chair and pulpit, torrents of eloquent invectives. He represented them as crafty, insinuating; living in palaces, deceiving the kings and the great; declaring them to be soiled by every species of crime; capable of all kinds of excesses; and dangerous both to religion and society. We may perhaps say that the picture which he, in his passionate eloquence, drew of the members of the order, which he also called the pioneers of Antichrist, was then somewhat exaggerated. The Jesuits at that time were not so perverse as he represented them to be, for they had as yet only existed for a few years. But it would seem that Cano had spoken in the spirit of prophecy, of the character which it assumed in after generations, the germ of which he may have seen beginning to develop itself.