The same conviction was finally reached, after a prolonged inner struggle, by Moses Leib Lilienblum (1843-1910), who might well be called a "martyr of enlightenment." However, during the period under consideration he moved entirely within the boundaries of the Haskalah, of which he was a most radical exponent. Persecuted for his harmless liberalism by the fanatics of his native town of Vilkomir, [1] Lilienblum began to ponder over the question of Jewish religious reforms. In advocating the reform of Judaism, he was not actuated, as were so many in Western Europe, by the desire of adapting Judaism to the non-Jewish environment, but rather by the profound and painful conviction that dominant Rabbinism in its medieval phase did not represent the true essence of Judaism. Reform of Judaism, as interpreted by Lilienblum, does not mean a revolution, but an evolution of Judaism. Just as the Talmud had once reformed Judaism in accordance with the requirements of its time, so must Judaism be reformed by us in accordance with the demands of our own times. When the youthful writer embodied these views in a series of articles, published in the _ha-Melitz_ under the title _Orhot ha-Talmud_ ("The Ways of the Talmud," 1868-1869), his orthodox townsmen were so thoroughly aroused that his further stay in Vilkomir was not free from danger, and he was compelled to remove to Odessa. Here he published in 1870 his rhymed satire _Kehal refa'im_, [2] in which the dark shadows of a Jewish town, the Kahal elders, the rabbis, the Tzaddiks, and other worthies, move weirdly about in the gloom of the nether-world. [Footnote 1: In the government of Kovno.] [Footnote 2: "The Congregation of the Dead," with allusion to Prov. 21.16.] In Odessa Lilienblum joined the ranks of the Russified college youth, and became imbued with the radical ideas of Chernyshevski and Pisaryev, gaining the reputation of a "nihilist." His theory of Jewish reform, superannuated by his new materialistic world view, was thrown aside, and a gaping void opened in the soul of the writer. This frame of mind is reflected in Lilienblum's self-revelation, "The Sins of Youth" (_Hattot ne'urim_, 1876), this agonizing cry of one of the many victims of the mental cataclysm of the sixties. The book made a tremendous impression, for the mental tortures depicted in it were typical of the whole age of transition. However, the final note of the confession, the shriek of a wasted soul, which, having overthrown the old idols, has failed to find a new God, did not express the general trend of that period, which was far from despair.