In the domain of higher literary productivity, new forces were being constantly added to the old ones. Besides the great national bard Bialik there appeared a number of gifted poets: Shneor, the singer of "storm and stress," of doubts and negations, the romantically inclined Jacob Kohan, Fichman, Reisin, David Einhorn, and many other youthful, as yet scarcely unfolded talents. J. L. Perez found a rival in Shalom Asch, the portrayer of patriarchal Jewish life in the provincial towns of Poland (_Die Städtel_, "The Provincial Town," 1904), and the author of charming sketches from Jewish life, as well as a playwright of note whose productions have met with tumultuous applause both on the Jewish and the non-Jewish stage (_Moshiah's Zeiten_, "Messianic Times," _Gott von Nekomo_, "God of Revenge," _Shabbetai Zewi_, _Yihus_, "Blue Blood"). His numerous co-workers in Yiddish letters have devoted themselves with youthful enthusiasm to the cultivation of this branch of Jewish literature. In Hebrew fiction a number of talented writers and a group of novelists, who publish their works mostly in the _ha-Shiloah_, came to the fore. The successor of Ahad Ha'am in the editorship of this periodical, Dr. Joseph Klausner, occupies a prominent place in Jewish literature as publicist, critic, and partly as historian. If we add to these talents the not inconsiderable number of writers who are domiciled in Galicia, Palestine, Germany, and America, and draw their inspiration from the vast Russian-Jewish reservoir, the growth of Jewish literature during the last decade stands forth in bold relief.