The temple was built of freestone, and the walls were covered with cedar planks on the inside. On these were traced designs of palms, open flower cups, and cherubim (winged heads with human faces), and these designs were inlaid with gold. The temple was sixty cubits long, twenty cubits wide, and thirty cubits high. It was divided into the Holy of Holies (Debir, the inner chamber, a square of twenty cubits), and the Holy Place (Hechal, which was forty cubits long). The Holy of Holies seems to have been situated on higher ground than the sanctuary. At the sides were two cherubim of gilded olive wood, each ten cubits high, the wings of which were five cubits wide. At the entrance of the sanctuary was an open vestibule (Ulam), which was of the same width as the sanctuary, and ten cubits in length, and in front of this hall there were artistically wrought columns of bronze. The artist, Hiram, was a half-Jew, his father being a Syrian and his mother a Naphtalite. The Holy of Holies was to face the west, contrary to the custom of the Gentiles, whose temples faced the rising sun; the gates were of olive wood, adorned with gilded cherubim as well as with palms and flower-cups. The folding doors of the sanctuary, made of cypress wood, were ornamented in a like manner, and the floor was of cypress wood inlaid with gold. In the Holy of Holies nothing was visible but the cherubim, intended to enshrine the ark of the covenant, in which the tablets of the law were kept. In the sanctuary there was an altar of cedar wood gilded on all sides, with five gilded candlesticks at each side, and a large gilded table for twelve loaves. The temple was surrounded by an extensive courtyard. Inside the vestibule stood a large iron altar, and a spacious water reservoir, called the "iron sea," adorned with a border of open flower-cups and lily-buds, and on the lower part with colocynths. This reservoir was supported by twelve iron bulls, each three of which turned in a different direction. The water was intended for washing the hands and feet of the officiating priests whenever they entered the sanctuary, the flow of water probably being regulated by a faucet. Ten small basins on wheels, artistically engraved, could be pushed to any spot where they might be wanted. Vessels for the sacrificial rites were cast in large quantities by the order of the king. The whole building inside and outside was stamped with the impress of wealth and grandeur. At the completion of the building, it was consecrated (1007) with solemn rites. The erection of the temple had occupied seven years, and the month selected for the consecration was that in which the harvest and the vintage were completed. The chiefs of all the tribes and the elders of families were invited, and people streamed from every quarter to gaze in astonishment at the splendours of the temple, and to look upon the unaccustomed spectacle.