A contemporary prophet, who witnessed the persecution, or, perhaps, was one of its victims, described it in harrowing words. Considering the sufferers as the wards of the people, he speaks of their terrible anguish as being that of the entire national body: "He is despised and rejected of men, a man of sorrows, and acquainted with grief.... He was oppressed, although he was submissive, yet he opened not his mouth; he is brought as a lamb to the slaughter; and as a sheep before her shearers is dumb, so he openeth not his mouth. Through prison and through judicial punishment was he taken away." (ISAIAH liii. 3, 7.) The suffering of the Judæans in Babylonia, at that time, closely resembled the persecution of their ancestors in Egypt. But there was this difference: in Egypt all Israelites alike were subjected to slavery and forced labour in the fields and on buildings, whilst in Babylonia the dungeon and death awaited those exiles only who refused to abjure their nationality and their religion. Psalm cii., composed at this time, pictures the sombre mood of one of these victims of persecution, relieved, however, by the hope of future deliverance. The Judæans who were threatened with imprisonment and torture followed the victories of Cyrus with anxious interest. Several prophets now appeared, who announced, to the consolation of the sufferers, the downfall of Babylon, and the speedy deliverance of the exiles. Two of them have left us prophecies that are unsurpassed; indeed, one of those writers manifested so boundless a wealth of eloquence and poetry, that his works rank among the most beautiful in literature. When Cyrus at length commenced the long-planned siege of Babylon, and the anxious expectations of the exiles had grown harrowing, this prophet, with his gift of glowing eloquence, uplifted and instructed his people. If the perfection of a work of art consists in the fact that the ideas and the language are in true harmony with each other, and that the latter makes the abstruse thought clear and intelligible, then the speech or series of speeches of this prophet, whom, in ignorance of his real name, we call the second, or the Babylonian Isaiah, form an oratorical work of art without a parallel. Here are combined richness of thought, beauty of form, persuasive power and touching softness, poetic fervour and true simplicity, and all this is expressed in such noble language and warm colouring that, although intended for the period only in which they were composed, they will be understood and appreciated in all time.