"Honor, Faith, and Gentleness, whither have ye flown? Vainly do I seek you; Learning, too, is gone! 'Hither are we gathered,' they reply as one, 'Here we rest with Judah.'" This, however, does not convey the smallest portion of what this ethereal and yet powerful character was. Jehuda Halevi was the spiritualized image of the race of Israel, conscious of itself, seeking to display itself, in its past and in its future, in an intellectual and artistic form. In Spain Jewish culture had arrived at its zenith, and had reached its highest perfection in the greatest of the neo-Hebraic poets. In France the beginnings of culture now became manifest. The reigns of the two kings of the house of Capet, Louis VI and VII (1108-1180), were as favorable to the Jews as that of Louis the Pious. The congregations in the north of France lived in the comfort and prosperity that arouses envy, their granaries were filled with corn, their cellars with wine, their warehouses with merchandise, and their coffers with gold and silver. They owned houses and fields and vineyards, cultivated either by themselves or by Christian servants. It is said that half of Paris, which at that time was not yet a city of very great importance, belonged to Jews. The Jewish congregations were recognized as independent corporations, and had their own mayor, with the title of Provost (præpositus), who was invested with authority to guard the interests of his people, and to arrest Christian debtors and compel them to pay their Jewish creditors. The Jewish provost was chosen by the community, and his election was ratified by the king or the baron to whom the town was tributary; Jews frequented the court, and held office. Jacob Tam, the greatest rabbinical authority of this time, was highly respected by the king. Jewish theologians freely disputed with the clergy upon religious questions, and openly expressed their honest opinions about the Trinity, the Virgin Mary, the worship of saints, about auricular confession and the miracle-working powers of relics.