Ascarelli and Sarah Copia Sullam, are illustrations thereof. The first, the wife of Joseph Ascarelli, a respected Venetian, translated Hebrew hymns into elegant Italian strophes, and also composed original verses. A Jewish-Italian poet addressed her in verses thus: "Others may sing of great trophies, thou glorifiest thy people." The graceful and spiritual Sarah Copia (born about 1600, died 1641) excited a certain amount of attention in her time. She was an original poetess and thinker, and her gifts, as well as her grace, brought her temptations and dangers. The only child of a wealthy father, Simon Copia (Coppio) in Venice, who loved her tenderly, she yielded to her inclination for instruction, and devoted herself to science and literature. To this inclination she remained true even after her marriage with Jacob Sullam. Sarah Copia Sullam surpassed her sex and even men of her age in knowledge. She delighted in beauty, and breathed out her inspirations in rhythmic, elegant verses. Young, attractive, with a noble heart and a penetrating understanding, striving after high ideals, and a favorite of the muses, Sarah Sullam fascinated the old as well as the young. Her musical, well-trained voice excited admiration. When an elderly Italian priest, Ansaldo Ceba, at Genoa, published an heroic poem in Italian strophes, of which the scriptural Esther was the heroine, Sarah was so delighted, that she addressed an enthusiastic anonymous letter full of praise to the author (1618). It pleased her to see a Jewish heroine, her ideal, celebrated in verses, and the attention of the cultivated public directed to Jewish antiquity. She hoped that thereby the prejudice against the Jews of the day would vanish. Sarah did not conceal from the poet that she always carried his poetical creations about with her, and at night put his book under her pillow. Instead of finding satisfaction in the sincere homage of a pure woman's soul, Ceba, in his zeal for conversion, thought only of bringing her over to Christianity. When he heard Sarah's beauty extolled by the servant whom he sent with presents and verses, love for her awoke in him. This was increased by her sending him her portrait, accompanied by enthusiastic verses in the exaggerated style of that time, in which she said: "I carry my idol in my heart, and I wish everyone to worship him." But the beautiful Venetian Jewess did not allow herself to be entrapped. She held firmly to her Jewish beliefs, and unfolded to her priestly friend the reasons that induced her to prefer Judaism. In vain did Ceba, by tenderness, reproofs, and sentimental languishing, with intimations of his speedy end, and his longing to be united with her in heaven, endeavor to make her waver in her conviction. When he begged permission to pray for her salvation, she granted his request on condition that she might pray for his conversion to Judaism.