Doré never dreamed a weirder, ghastlier picture than night in the Conemaugh Valley since the flood desolated it. Darkness falls early from the rain-dropping, gray sky that has palled the valley ever since it became a vast bier, a charnel-house fifteen miles long. The smoke and steam from the placers of smouldering débris above the bridge aid to hasten the night. Few lights gleam out, except those of the scattered fires that still flicker fitfully in the mass of wreckage. Gas went out with the flood, and oil has been almost entirely lacking since the disaster. Candles are used in those places where people think it worth while to stay up after dark. Up on the hills around the town bright sparks gleam out like lovely stars from the few homes built so high. Down in the valley the gloom settles over everything, making it look, from the bluffs around, like some vast death-pit, the idea of entering which brings a shudder. The gloomy effect is not relieved, but rather deepened, by the broad beams of ghastly, pale light thrown across the gulf by two or three electric lights erected around the Pennsylvania Railroad station. They dazzle the eye and make the gloom still deeper. Time does not accustom the eyes to this ghastly scene. The flames rising and falling over the ruins look more like witches' bale-fires the longer they are looked at. The smoke-burdened depths in the valley seem deserted by every living thing, except that occasionally, prowling ghoul-like about the edges of the mass of débris, may be seen, as they cross the beams of electric light, dark figures of men who are drawn to the spot day and night, hovering over the place where some chance movement may disclose the body of a wife, mother, or daughter gone down in the wreck. They pick listlessly away at the heaps in one spot for awhile and then wander aimlessly off, only to reappear at another spot, pulling feverishly at some rags that looked like a dress, or poking a stick into some hole to feel if there is anything soft at the bottom. At one or two places the electric lights show, with exaggerated and distorted shadows, firemen in big hats and long rubber coats, standing upon the edge of the bridge, steadily holding the hose, from which two streams of water shoot far out over the mass, sparkle for a moment like silver in the pale light, and then drop downward into the blackness.