History of the Nineteenth Army CorpsIrwin, Richard B. (Richard Biddle)
History
History of the Nineteenth Army Corps
Irwin, Richard B. (Richard Biddle)
United States -- History -- Civil War, 1861-1865 -- Regimental histories; United States. Army. Corps, 19th
And now the increasing heat of the sun dissolved the fog, and
revealed to the combatants the true situation of affairs. To Early
the position of the Union army, its salient, as it were, lying
directly before him where he stood, seemed so strong that he
hesitated to hazard another attack until the concentrated fire of
his artillery should have produced an impression, while to Wright,
not only was the menace of Early's artillery very obvious, but the
weakness of his own left flank, broken by Meadow Brook and adhering
lightly to the valley road, was still present.
The force of Early's first onset was spent; his one chance of
seizing and holding the valley road in the rear of the Union army
had slipped away, while his cavalry had utterly failed to accomplish
any part of the task confided to it. Time and strength had both
been lost to the Confederates by the uncontrollable plunder of the
camps and the sutlers' stores.
The Old Forge road is but a country lane that crosses the field
from the north end of Middletown. It afforded no position, its
chief value being as uniting the wings of the army, and Wright's
object in taking up this line was simply to gain time to develop
a better fighting line still farther to the rear. Now, seeing that
Getty had accomplished his purpose in holding on at the cemetery,
Wright ordered him to move slowly, in line of battle, toward the
north, guiding on the valley road, with Merritt's cavalry beyond
it following and covering the operation, while Emory, taking up
the movement in his turn, was to look to Wheaton for his guide.
Wright's order found Emory's men in the act of completing their
hasty defences, while Emory was moving about among them strongly
declaring his purpose not to go back another inch.
Public-domain text, read in full here on John Shaqi.
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