History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
Banti made her _début_ in England in Bianchi's _Semiramide_, in which
she introduced an air from one of Guglielmi's oratorios, with a violin
_obbligato_ accompaniment, played first by Cramer, afterward by Viotti,
Salomon, and Weichsell, the brother of Mrs. Billington. This song was of
great length, and very fatiguing; but Banti was always encored in it,
and never omitted to repeat it.
At her benefit in the following year (1800) Banti performed in an opera,
founded on the _Zenobia_ of Metastasio, by Lord Mount Edgcumbe, the
author of the interesting "Reminiscences," to which, in the course of
the present chapter I shall frequently have to refer. The "first man's"
part was allotted to Roselli, a sopranist, who, however, had to transfer
it to Viganoni, a tenor. Roselli, whose voice was failing him, soon
afterwards left the country; and no other male soprano made his
appearance at the King's Theatre until the arrival of Velluti, who sang
twenty-five years afterwards in Meyerbeer's _Crociato_.
Banti's favourite operas were Gluck's _Alceste_, in which she was called
upon to repeat three of her airs every night; the _Iphigénie en
Tauride_, by the same author; Paisiello's _Elfrida_, and _Nina_ or _La
Pazza per Amore_; Nasolini's[61] _Mitridate_; and several operas by
Bianchi, composed expressly for her.
Before Banti's departure from England, she prevailed on Mrs. Billington
to perform with her on the night of her benefit, leaving to the latter
the privilege of assuming the principal character in any opera she might
select. _Merope_ was chosen. Mrs. Billington took the part of the
heroine, and Banti that of "Polifonte," though written for a tenor
voice. The curiosity to hear these two celebrated singers in the same
piece was so great, that the theatre was filled with what we so often
read of in the newspapers, but so seldom see in actual life,--"an
overflowing audience;" many ladies being obliged, for want of better
places, to find seats on the stage.
Banti died at Bologna, in 1806, bequeathing her larynx (of extraordinary
size) to the town, the municipality of which caused it to be duly
preserved in a glass bottle. Poor woman! she had by time dissipated the
whole of her fortune, and had nothing else to leave.
[Sidenote: MRS. BILLINGTON.]
Public-domain text, read in full here on John Shaqi.
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