When she appeared at the King's Theatre in 1824, and sang in Mayer's _Fanatico per la Musica_, the frequenters of the Opera, who remembered her performance in the same work eighteen years before, were surprised that so long an interval had produced so little change in the singer. The success of the first night was prodigious; but Mr. Ebers (in his "Seven Years of the King's Theatre"), tells us that "repetitions of this opera, again and again, diminished the audiences most perceptibly, though some new air was on each performance introduced, to display the power of the Catalani. * * * In this opera the sweet and soothing voice of Caradori was an agreeable relief to the bewildering force of the great wonder." In one season of four months in London, Madame Catalani, by her system of concerts, gained upwards of ten thousand pounds, and doubled that sum during a subsequent tour in the provinces, in Ireland and Scotland. She sang for the last time in public at Dublin, in 1828. [Sidenote: CATALANI'S AGREEMENT] As to the sort of engagement she approved of, some notion may be formed from the following draft of a contract submitted by her to Mr. Ebers in 1826:---- "_Conditions between Mr. Ebers and M. P. de Valabrèque._ "1. Every box and every admission shall be considered as belonging to the management. The free admissions shall be given with paper orders, and differently shaped from the paid tickets. Their number shall be limited. The manager, as well as Madame Catalani, shall each have a good box. "2. Madame Catalani shall choose and direct the operas in which she is to sing; she shall likewise have the choice of the performers in them; she will have no orders to receive from any one; she will find all her own dresses. "3. Madame Catalani shall have two benefits, to be divided with the manager; Madame Catalani's share shall be free: she will fix her own days. "4. Madame Catalani and her husband shall have a right to superintend the receipts. "5. Every six weeks Madame Catalani shall receive the payment of her share of the receipts, and of the subscription. "6. Madame Catalani shall sing at no other place but the King's Theatre, during the season; in the concerts or oratorios, where she may sing, she will be entitled to no other share but that specified as under. "7. During the season, Madame Catalani shall be at liberty to go to Bath, Oxford, or Cambridge. "8. Madame Catalani shall not sing oftener than her health will allow her. She promises to contribute to the utmost of her power to the good of the theatre. On his side, Mr. Ebers engages to treat Madame Catalani with every possible care.