History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
answered from the boxes with _Vive la reine! Vive le roi!_ Sabres and
sword-sticks were drawn, and a battle began.
[Sidenote: FACTS AND COINCIDENCES.]
The Queen escaped from the theatre in the midst of the tumult. Cries of
_à bas la reine!_ followed her to her carriage, which went off at a
gallop, with mud and stones thrown after it. Marie Antoinette returned
to the Tuileries in despair. On the first of October, fourteen days
afterwards, the title of _Opéra National_ was substituted for that of
_Académie Royale de Musique_. The Constitution being signed, there was
no longer any reason for being civil to Louis XVI. This was the third
change of title in less than four months. The majority of the buffoons,
(M. Castil Blaze still speaks), "who now write histories more or less
Girondist, or romantic of the French Revolution, do not take the trouble
to verify their facts and dates. I have told you simply that the
dauphiness Marie Antoinette made her first appearance at the Opera on
the 16th June, 1773, in company with her husband. Others, more ingenious
no doubt, substitute the 21st January for the 16th June, in order to
establish a sort of fatality by connecting days, months and years. To
prophecy after the event is only too easy, above all, if you take the
liberty of advancing by five months, the day which it is desired to
render fatal. These same buffoons, (says M. Castil Blaze), who now go to
the Opera on Monday, Wednesday and Friday, sometimes on Sunday, think
people have done the same for the last two centuries. As they have not
the slightest suspicion that the evenings of performance at the Académie
Royale were changed in 1817, we find them maundering, paddling,
splashing about, and finally altering figures and days, in order to make
the events of the last century accord with the dates of our own epoch.
That is why we are told that the Royal Family went for the last time to
this theatre on Wednesday, the 21st September, 1791, instead of Tuesday,
the 20th. Indeed how is it possible to go to the Opera on a Tuesday?
That is why it is stated with the most laughable aplomb, that on the
21st October, 1793, _Roland_ was performed, and on the 16th of October
following, the _Siege of Thionville_, the _Offering to Liberty_, and the
ballet of _Telemachus_. Each of these history-writing novelists fills or
empties the house according to his political opinions; applauds the
French people or deplores its blindness; but all the liberalism or
sentiment manufactured by them is thrown away. Monday, the 21st of
January, Wednesday the 16th of October, 1793, not being opera nights at
that time, the Opera did not on those evenings throw open its doors to
the public. On Tuesday, the 22nd of January, the day after the death of
Louie XVI., _Roland_ was represented; the amount of the receipts, 492
livres, 8 sous, proves that the house was empty. No free admissions were
given then. On Tuesday, October the 15th, 1793, the eve of the execution
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account