History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
The Opera was now once more placed under the direction of a committee
chosen from among the singers and dancers, who were selected this time,
not by reason of their artistic merit, but solely with reference to
their political principles. Lays, one of the chief managers, was a
furious democrat, and on one occasion insisted on Mademoiselle Maillard
(Gluck's "Armida!") appearing in a procession as the Goddess of Reason.
Mademoiselle Maillard having refused, Chaumette was appealed to. The
arguments he employed were simple but convincing. "Well, _citoyenne_,"
he said, "since you refuse to be a divinity, you must not be astonished
if we treat you _as a mortal_." Fortunately for the poor prima donna,
Mormoro, a member of the Commune of Paris, and a raging "Maratiste"
(which has not quite the same meaning now as in the days of the
"Todistes") claimed the obnoxious part for his unhappy wife. The
beautiful Madame Mormoro was forced to appear in the streets of Paris in
the light and airy costume of an antique Goddess, with the thermometer
at twenty degrees below freezing point! "Reason" not unreasonably wept
with annoyance throughout the ceremony.
* * * * *
Léonard Bourdon, called by those who knew him _Léopard_ Bourdon, used
all his influence, as a distinguished member of the Mountain, to get a
work he had prepared for the Opera produced. His piece was called the
_Tomb of the Impostors_, or _the Inauguration of the Temple of Truth_.
It was printed at the expense of the Republic, but never brought out. In
the first scene the stage represents a church, built with human skulls.
In the sanctuary there is to be a fountain of blood. A woman enters to
confess, the priest behaves atrociously in the confessional, &c., &c.
The scenes and incidents throughout the drama are all in the same style,
and the whole is dedicated in an uncomplimentary epistle to the Pope.
Léopard tormented the directors actors, and actresses, night and day, to
produce his master-piece, and threatened, that if they were not quick
about it, he would have a guillotine erected on the stage.
Public-domain text, read in full here on John Shaqi.
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