History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
Chaumette. "I demand, moreover, that the actors, actresses and directors
of the Parisian theatres be subjected to the censorship of the council."
Adopted.
After deciding that the theatre in the Rue de la Loi could not be kept
open without imperilling the existence of the National Library, and
after imprisoning Mademoiselle Montansier for having built it, the
Commune of Paris deliberately opened it as an opera house! Mademoiselle
Montansier was, nevertheless, still kept in prison, and remained there
ten months, until after the death of Robespierre.
Mademoiselle Montansier's nocturnal assemblies in the Palais Royal were
equally renowned before and after her arrest. Actors and actresses,
gamblers, poets, representatives of the people, republican generals,
retired aristocrats, conspicuous _sans culottes_, and celebrities of all
kinds congregated there. Art, pleasure, politics, the new opera, the
last execution were alike discussed by Dugazon and Barras, le père
Duchesne and the Duke de Lauzun, Robespierre and Mademoiselle Maillard,
the Chevalier de Saint Georges and Danton, Martainville and the Marquis
de Chanvelin, Lays and Marat, Volange and the Duke of Orleans. From the
names just mentioned, it will be understood that some members of this
interesting society were from time to time found wanting. Their absence
was not much remarked, and fresh notorieties constantly came forward to
fill the places of those claimed by the guillotine.
After Mademoiselle Montansier's liberation from prison, Napoleon
Bonaparte was introduced to her by Dugazon and Barras. His ambition had
not yet been excited, and Barras--who may, nevertheless, have looked
upon him as a possible rival, and one to be dreaded--wished to get up a
marriage between him and the fashionable but now somewhat antiquated
syren of the Palais Royal. Everything went on well for some time. Then a
magnificent dinner was given with the view of bringing the affair to a
conclusion; but Bonaparte was very reserved, and Barras now saw that his
project was not likely to succeed. At a banquet given by Mademoiselle
Montansier, to celebrate the success of the thirteenth Vendémiaire,
Bonaparte proposed a toast in honour of his venerable "intended," and
soon afterwards she married Neuville.
[Sidenote: MADEMOISELLE MONTANSIER.]
Mademoiselle Montansier who had been shamefully cheated, indeed robbed,
by the Convention, hoped to have her claims recognised by the Directory.
Barras offered her one million, six hundred thousand francs. She refused
it, the indemnity she demanded for the losses which she had sustained by
the seizure of her theatre at the hands of the Convention amounting to
seven millions. Napoleon, when first consul, caused the theatre to be
estimated, when its value was fixed at one million three hundred
thousand francs. After various delays, Mademoiselle Montansier received
a partial recognition of her claim, accompanied by an order for payment,
signed by the Emperor at Moscow.
Public-domain text, read in full here on John Shaqi.
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