History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
Male dancers have, I am glad to think, never been much esteemed in
England; and Albert, though successful enough, produced nothing like the
same impression in London which he was in the habit of causing in
Paris. Mademoiselle Noblet's dancing, on the other hand, excited the
greatest enthusiasm, and the subscribers made all possible exertions to
obtain a prolongation of her _congé_ when the time for her return to the
Académie arrived. Noblet's performance in the ballet of _Nina_ (of which
the subject is identical with that of Paisiello's opera of the same
name) is said to have been particularly admirable, especially for the
great dramatic talent which she exhibited in pourtraying the heroine's
melancholy madness. _Nina_ was announced for Mademoiselle Noblet's
benefit, on a night not approved by the Lord Chamberlain--either because
it interfered with some of the court regulations, or for some other
reason not explained. The secretary to the committee of the Opera was
directed to address a letter to the Chamberlain, representing to him how
inconvenient it would be to postpone the benefit, as the _congé_ of the
_bénéficiaire_ was now on the point of expiring. Lord Hertford, with
becoming politeness, wrote the following letter, which shows with what
deep interest the graceful dancer inspired even those who knew her only
by reputation. The letter was addressed to the Marquis of Ailesbury, one
of the members of the operatic committee.
"MY DEAR LORD,--I have this moment (eleven o'clock) received your
letter, which I have sent to the Chamberlain's office to Mr. Mash;
and as Mademoiselle Noblet is a very pretty woman as I am told, I
hope she will call there to assist in the solicitation which
interests her so much. Not having been for many years at the opera,
except for the single purpose of attending his majesty, I am no
judge of the propriety of her request or the objections which may
arise to the postponement of her benefit for one day at so short a
notice. I hope the fair solicitress will be prepared with an answer
on this part of the subject, as it is always my wish to accommodate
you; and I remain most sincerely your very faithful servant,
"INGRAM HERTFORD."
"Manchester Square,
_April 29th, 1821_."
Public-domain text, read in full here on John Shaqi.
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