On the whole, the Opera has become less aristocratic, less respectable, and far more expensive than of old. Those who, under the ancient system, paid ten shillings and six-pence to go to the pit, must now, to obtain the same amount of comfort, give a guinea for a stall, while "most improper company is sometimes to be seen even in the principal tiers; and tickets bearing the names of ladies of the highest class have been presented by those of the lowest, such as used to be admitted only to the hindmost rows of the gallery." The last remark belongs to Lord Mount Edgcumbe, but it is, at least, as true now as it was thirty years ago. Numbers of objectionable persons go to the Opera as to all other public places, and I do not think it would be fair to the respectable lovers of music who cannot afford to pay more than a few shillings for their evening's entertainment, that they should be all collected in the gallery. It would, moreover, be placing too much power in the hands of the operatic officials, who already show themselves sufficiently severe censors in the article of dress. I do not know whether it is chiefly a disgrace to the English public or to the English system of operatic management; but it certainly is disgraceful, that a check-taker at a theatre should be allowed to exercise any supervision, or make the slightest remark concerning the costume of a gentleman choosing to attend that theatre, and conforming generally in his conduct and by his appearance to the usages of decent society. It is not found necessary to enforce any regulation as to dress at other opera houses, not even in St. Petersburgh and Moscow, where, as the theatres are directed by the Imperial Government, one might expect to find a more despotic code of laws in force than in a country like England. When an Englishman goes to a morning or evening concert, he does not present himself in the attire of a scavenger, and there is no reason for supposing that he would appear in any unbecoming garb, if liberty of dress were permitted to him at the Opera. The absurdity of the present system is that, whereas, a gentleman who has come to London only for a day or two, and does not happen to have a dress-coat in his portmanteau; who happens even to be dressed in exact accordance with the notions of the operatic check-takers, except as to his cravat, which we will suppose through the eccentricity of the wearer, to be black, with the smallest sprig, or spray, or spot of some colour on it; while such a one would be regarded as unworthy to enter the pit of the Opera, a waiter from an oyster-shop, in his inevitable black and white, reeking with the drippings of shell-fish, and the fumes of bad tobacco, or a drunken undertaker, fresh from a funeral, coming with the required number of shillings in his dirty hands, could not be refused admission. If the check-takers are empowered to inspect and decide as to the propriety of the cut and