History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
The duke was carried into the director's room, where he was
attended by Blancheton, the surgeon of the Opera, and at once bled in
both arms. He, himself, drew the dagger from the wound, and observed at
the same time that he felt it was mortal. The Count d'Artois, and the
Duke and Duchess d'Angoulême arrived soon afterwards. There lay the
unhappy prince, on a bed hastily arranged, and already inundated, soaked
with blood, surrounded by his father, brother, sister, and wife, whose
poignant anguish was from time to time alleviated by some faint ray of
hope, destined, however, to be quickly dispelled.
Five of the most celebrated doctors in Paris, with Dupuytren among the
number, had been sent for; and as the patient was now nearly suffocating
from internal hæmorrhage, the orifice of the wound was widened. This
afforded some relief, and for a moment it was thought just possible that
a recovery might be effected. Another moment, and it was evident that
there was no hope. The duke asked to see his daughter, and embraced her
several times; he also expressed a desire to see the king. Now the
sacrament was administered to him, but, on the express condition exacted
by the Archbishop of Paris, that the Opera House should afterwards be
destroyed. Two other unacknowledged daughters of his youth were brought
to the dying man's bedside, and received his blessing. He had already
recommended them to the duchess's care.
"Soon you will have no father," she said to them, "and I shall have
three daughters."
In the meanwhile the Spanish ballet was being continued, amidst the
mirth and applause of the audience, who testified by their demeanour
that it was Carnival time, and that the _jours gras_ had already
commenced. The house was crowded, and the boleros and sequidillas with
which the Spaniards of the Parisian ballet astonished and dazzled Don
Quixote and his faithful knight, threw boxes, pit, and gallery, into
ecstasies of delight.
Elsewhere, in the room next his victim, stood the assassin, interrogated
by the ministers, Decazes and Pasquier, with the bloody dagger before
them on the table. The murderer simply declared that he had no
accomplices,[89] and that he took all the responsibility of the crime on
himself.
At five in the morning, Louis XVIII. was by the side of his dying
nephew. An attempt had been made, the making of which was little less
than an insult to the king, to dissuade him from being present at the
duke's last moments.
[Sidenote: A MURDER AT THE OPERA.]
"The sight of death does not terrify me," replied His Majesty, "and I
have a duty to perform." After begging that his murderer might be
forgiven, and entreating the duchess not to give way to despair, the
Duke de Berri breathed his last in the arms of the king, who closed his
eyes at half-past six in the morning.
* * * * *
Public-domain text, read in full here on John Shaqi.
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