History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
It is "the Christian soldier" who wrote this; who rejoiced in this
anti-christian and cowardly spirit at the dark calamity which had
befallen an amiable and charming vocalist, whose only fault was that
she had aided the fortunes of a theatre abhorred by Steele. And what
cause had Steele for detesting the Italian Opera with the unreasonable
and really stupid hatred which he displayed towards it? Addison, as it
seems to me, has been most unfairly attacked for his strictures on the
operatic performances of his day. They were often just, they were never
ill-natured, and they were always enveloped in such a delightful garb of
humour, that there is not a sentence, certainly not a whole paper, and
scarcely even a phrase,[14] in all he has published about the Opera,
that a musician, unless already "enraged," would wish unwritten. It is
unreasonable and unworthy to connect Addison's pleasantries on the
subject of _Arsinoe_, _Camilla_, _Hydaspes_, and _Rinaldo_, with the
failure of his _Rosamond_, which, as the reader is aware, was set to
music by the ignorant impostor called Clayton. Addison, it is true, did
not write any of his admirably humorous papers about the Italian Opera
until after the production of _Rosamond_, but it was not until some time
afterwards that the _Spectator_ first appeared. St. Evrémond, who was a
great lover of the Opera, wrote much more against it than Addison. In
fact, the new entertainment was the subject of the day. It was full of
incongruities, and naturally recommended itself to the attention of
wits; and we all know that, as a rule, wits do not deal in praise. All
that _Rosamond_ proves is, that Addison liked the Opera or he would
never have written it.
But about this Christian Soldier who endeavours to convince his readers
that music is a thing to be despised because it does not appeal to the
understanding, and who laughs at the misfortunes of a poor lunatic
because she is no longer able to attract the public by her singing from
the dramatic theatre in which he took so deep an interest, and of which
he afterwards became patentee?[15]
[Sidenote: HANDEL V. AMBROSE PHILLIPS.]
Public-domain text, read in full here on John Shaqi.
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