The poem was mild, spiritual, inoffensive, like the queen herself; but it was written by the king's sister, and accordingly made a great sensation. In her verses there were new voices, aspirations towards heaven long unknown; many persons heard them, and here and there certain manifestations showed themselves of a meek and inward piety long since forgotten. The alarmed Sorbonne shouted out—'heresy!' There was, indeed, in the _Mirror_ something more than aspirations. It contained nothing, indeed, against the saints or the Virgin, against the mass or popery, and not a word of controversy; but the essential doctrine of the Reformation was strongly impressed on it, namely, salvation by Jesus Christ alone, and the certain assurance of that redemption. [Sidenote: BEDA DISCOVERS HERESY IN THE POEMS.] At the time of which we are writing, Beda had not been banished. At the beginning of 1533 he had been intrusted by the Sorbonne with the examination of all new books. The fiery syndic discovered the _Mirror_, and with excess of joy he fell upon it to seek matter of accusation against the king's sister. He devoured it; he had never been so charmed by any reading, for at last he had proof that the Queen of Navarre was really a heretic.[400] 'But understand me well,' he said; 'they are not dumb proofs nor half proofs, but literal, clear, complete proofs.' Beda prepared therefore to attack Margaret. What a contrast between the formal religion of the Church and that of this spiritual poem! St. Thomas and the other chiefs of the schools teach that man may at least possess merits of _congruity_; that he may perform supererogatory works, that he must confess his sins in the ear of the priest, and satisfy the justice of God by acts of penance, _satisfactio operis_. But according to the _Mirror_, religion is a much simpler thing ... all is summed up in these two terms: man's sin and God's grace. According to the queen, what man needs is to have his sins remitted and wholly pardoned in consequence of the Saviour's death; and when by faith he has found assurance of this pardon, he enjoys peace.... He must consider all his past life as being no longer for him a ground of condemnation before God: these are the _glad tidings_. Now these _tidings_ scandalised Beda and his friends exceedingly. 'What!' he exclaimed, holding the famous book open before them, 'what! no more auricular confessions, indulgences, penance, and works of charity!... The cause of pardon is the reconciliatory work of Christ, and what helps us to make it our own is not the Church, but faith!' The syndic determined to make the 'frightful' book known to all the venerable company. The Sorbonne assembled, and Beda, holding the heretical poem in his hand, read the most flagrant passages to his colleagues. 'Listen,' he said, and the attentive doctors kept their eyes fixed on the syndic. Beda read: