While the manuscripts of Simancas were thus hidden from the world, a learned keeper of the archives, Don Tomas Gonzalez, discontented with the unworthy view which had been given of the latter days of Charles the Fifth, had profited by the materials which lay around him, to exhibit his life at Yuste in a new and more authentic light. To the volume which he compiled for this purpose he gave the title of "_Retiro, Estancia, y Muerte del Emperador Carlos Quinto en el Monasterio de Yuste_." The work, the principal value of which consists in the copious extracts with which it is furnished from the correspondence of Charles and his household, was suffered by the author to remain in manuscript; and, at his death, it passed into the hands of his brother, who prepared a summary of its contents, and endeavored to dispose of the volume at a price so exorbitant that it remained for many years without a purchaser. It was finally bought by the French government at a greatly reduced price,--for four thousand francs. It may seem strange that it should have even brought this sum, since the time of the sale was that in which the new arrangements were made for giving admission to the archives that contained the original documents on which the Gonzalez MS. was founded. The work thus bought by the French government was transferred to the Archives des Affaires Etrangères, then under the direction of M. Mignet. The manuscript could not be in better hands than those of a scholar who has so successfully carried the torch of criticism into some of the darkest passages of Spanish history. His occupations, however, took him in another direction; and for eight years the Gonzalez MS. remained as completely hidden from the world in the Parisian archives as it had been in those of Simancas. When, at length, it was applied to the historical uses for which it had been intended, it was through the agency, not of a French, but of a British writer. This was Mr. Stirling, the author of the "Annals of the Artists of Spain,"--a work honorable to its author for the familiarity it shows, not only with the state of the arts in that country, but also with its literature. [Sidenote: MEMOIRS OF CHARLES.] Mr. Stirling, during a visit to the Peninsula, in 1849, made a pilgrimage to Yuste; and the traditions and hoary reminiscences gathered round the spot left such an impression on the traveller's mind, that, on his return to England, he made them the subject of two elaborate papers in Fraser's Magazine, in the numbers for April and May, 1851. Although these spirited essays rested wholly on printed works, which had long been accessible to the scholar, they were found to contain many new and highly interesting details; showing how superficially Mr.