I have reserved for this place a few remarks respecting the _Heptameron_ of Margaret of Angoulême, which seem required by the disputed character or this singular work. I have spoken at length of the virtues of the Queen of Navarre, and I may here add a statement of my strong conviction that the accusation is altogether groundless which ascribes a sinister meaning to the strong expressions of sisterly affection so frequent in her correspondence with Francis the First (see M. Génin, Supplément a la notice sur Marg. d'Angoulême, prefixed to the second volume of the Letters). Nor do I make any account of the vague statement of that mendacious libertine, Brantôme, who doubtless imagined himself to be paying the Queen of Navarre the most delicate compliment, when he said, that "of gallantry she knew more than her daily bread." But, whatever the purity of Margaret's own private life, the fact which cannot be overlooked is that a book of a decidedly immoral tendency was composed and published under her name. Her most sincere admirers would hail with gratification any satisfactory evidence that the Heptameron was written by another hand. Unfortunately, there seems to be none. On the contrary, we have Brantôme's direct testimony to the effect that the composition of the book was the employment of the queen's idle hours when travelling about in her litter, and that his grandmother, being one of Margaret's ladies of honor, was accustomed to take charge of her writing-case (Ed. Lalanne, viii. 126). Equally untenable is the view taken by the historian De Thou (liv. vi., vol. x. 508), who makes the fault more venial by representing the Heptameron to have been composed by the fair author in her youth. (So, too, Soldan, i. 89.) I am sorry to have to say that the events referred to in the stories themselves belong to a period reaching within a year or two of Margaret's death.