History of the Rise of the Huguenots, Vol. 1Baird, Henry Martyn
History
History of the Rise of the Huguenots, Vol. 1
Baird, Henry Martyn
Huguenots
Other marks of a low stage of civilization were not wanting. The belief
in judicial astrology was almost universal.[81] Pretenders like
Nostradamus obtained respect and wealth at the hands of their dupes. All
France trembled with Catharine de' Medici, when the astrologer gave out
that the queen would see all her sons kings, and every one foreboded the
speedy extinction of the royal line. The "prophecy," as it was gravely
styled, obtained public recognition, and was discussed in diplomatic
papers. When two of the queen's sons had in fact become kings of France,
and a third had been elected to the throne of Poland, while the marriage
of the fourth with Queen Elizabeth was under consideration, Catharine's
allies saw grounds to congratulate her that the prediction which had so
disquieted her was likely to obtain a more pleasing fulfilment than in
the successive deaths of her male descendants.[82]
A still more pernicious form of superstition was noticeable in the
credit enjoyed by charms and incantations, not merely among illiterate
rustics, but even with persons of high social station. No phase of the
magic art led to the commission of more terrible crimes or revealed a
worse side of human character than that which pretended to secure the
happiness or accomplish the ruin, to prolong the life or hasten the
death, of the objects of private love or hatred. While systematically
practising upon the credulity of his dupes, the professed master of this
ill-omened art frequently resorted to assassination by poison or dagger
in the accomplishment of his schemes. Sorcery by means of waxen images
was particularly in vogue. Thus, the Queen of Navarre, the sister of
Francis the First, in her singular collection of tales, the
"Heptameron," gives a circumstantial account of the mode in which her
own life was sought by this species of witchcraft.[83] Five puppets had
been provided: three, representing enemies (the queen being one of the
number), had their arms hanging down; the other two, representing
persons whose favor was desired, had them raised aloft. With certain
cabalistic words and occult rites the puppets were next secretly hidden
beneath an altar whereon the mass was celebrated, and the mysterious
"sacrifice" was believed to complete the efficacy of the charm. It was
no new superstition imported from abroad, but one that had existed in
France for centuries.[84]
[Sidenote: Reverence for relics.]
Public-domain text, read in full here on John Shaqi.
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