History of the Rise of the Huguenots, Vol. 1Baird, Henry Martyn
History
History of the Rise of the Huguenots, Vol. 1
Baird, Henry Martyn
Huguenots
such as may easily be conceived.[118]
[Sidenote: The monastic orders incur contempt.]
It was a lamentable but notorious fact that, as a consequence of the
unnatural divorce of religion and morality, the clergy, both secular and
regular, by their excesses had incurred the contempt of the laity. If
the Franciscan monks enjoyed an unenviable pre-eminence in this respect,
so as to have come to constitute one of the stock characters in the
"Heptameron" and similar works, scarcely less constant than the
prodigals or parasites of the New Comedy, the other orders were but
little behind them. And so Louise de Savoie made this significant entry
in her diary: "In the year 1522, in December, my son and I, by the grace
of the Holy Ghost, began to understand the hypocrites, white, black,
gray, smoky, and of all colors; from whom may God, by his clemency and
infinite goodness, be pleased to preserve and defend us. For, if Jesus
Christ be not a liar, there is no more dangerous generation in all human
kind."[119] Bishops and cardinals won little more respect than the
monks; for was it not the most prominent of the wearers of the purple
who, as Chancellor of France, introduced venality into the most sacred
offices of state,[120] while by his quarrelsome and unscrupulous
diplomacy he richly merited the _bon mot_ of the Emperor Charles the
Fifth, that he was more inclined to make _four wars than, one
peace_?[121]
[Sidenote: Abortive efforts at reform.]
It does not enter into the province of this history to discuss in detail
the causes of the deplorable vices that characterized the priesthood on
the eve of the great religious movement of the sixteenth century; nor
can we pause to make that analysis of the doctrinal errors then
prevalent, which belongs rather to the office of the historian of the
Reformation. It will be sufficient, therefore, if we glance hastily at
some of the partial and abortive efforts directed toward the reform of
doctrine and manners of which mediæval France was the theatre.
[Sidenote: The Cathari and Albigenses.]
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