The first civil war prevented France from becoming a Huguenot country. This was the deliberate conclusion of a Venetian ambassador, who enjoyed remarkable opportunities for observing the history of his times.[263] The practice of the Christian virtue of patience and submission under suffering and insult had made the reformers an incredible number of friends. The waging of war, even in self-defence, and the reported acts of wanton destruction, of cruelty and sacrilege--it mattered little whether they were true or false, they were equally credited and produced the same results--turned the indifference of the masses into positive aversion. It availed the Huguenots little in the estimate of the people that the crimes that were almost the rule with their opponents were the exception with them; that for a dozen such as Montluc, they were cursed with but one Baron des Adrets; that the barbarities of the former received the approbation of the Roman Catholic priesthood, while those of the latter were censured with vehemence by the Protestant ministers. Partisan spirit refused to hold the scales of justice with equal hand, and could see no proofs of superior morality or devotion in the adherents of the reformed faith. * * * * * [Sidenote: Huguenot ballads and songs.] Besides their psalms, hallowed by so many thrilling associations, the Huguenots possessed a whole cycle of song. The meagre portion of this that has come down to us is among the most valuable of the monuments illustrative of their modes of thought and their religious and political aspirations. At the same time it brings vividly before us the great crises of their history. M. Henri Bordier has done a service not easily estimated at its full worth, by the publication of a considerable collection of the popular songs of the Protestants, under the title, "Le Chansonnier Huguenot du XVIe Siecle" (Paris, 1871). These songs are grouped in four divisions: religious songs, polemic and satirical songs, songs of war, and songs of martyrdom.