History of the Rise of the Huguenots, Vol. 2Baird, Henry Martyn
History
History of the Rise of the Huguenots, Vol. 2
Baird, Henry Martyn
Huguenots
Ou est le livre et le calice
Pour faire l'office divin?
Ca, cest autel, qu'on le tapisse!
Helas, la piteuse police.
Ame ne me vient secourir.
Sans Chapelain, Moine, Novice,
Me faudra-il ainsi perir?
Pope and cardinals are summoned in vain. No one comes, no one
will bring reliquary or consecrated wafer. The Mass must
finally resign all hope and die:
Helas chantant, brayant, virant,
Tant que le crime romp et blesse
Puis que voy tost l'ame expirant,
Dites au moins adieu la Messe.
A tous faisant mainte promesse
Ore ai-je tout mon bien quitte
Veu qu'a la mort tens et abaisse
_Ite Missa est_; donc _Ite_,
_Ite Missa est_.
The "chants de guerre" furnish a running commentary upon the
military events of the last forty years of the sixteenth
century, which is not devoid of interest or importance. The
hopeful spirit characterizing the earlier ballads is not lost
even in the latest; but the brilliant anticipations of a
speedy triumph of the truth, found before the outbreak of the
first civil war, or immediately thereafter, are lacking in
other productions, dating from the close of the reign of Henry
the Third. In a spirited song, presumably belonging to 1562,
the poet, adopting the nickname of Huguenots given to the
Protestants by their opponents, retaliates by applying an
equally unwelcome term to the Roman Catholics, and forecasting
the speedy overthrow of the papacy:
Vous appellez Huguenots
Ceux qui Jesus veullent suivre,
Et n'adorent vos marmots
De boys, de pierre et de cuyvre.
Hau, Hau, Papegots,
Faictes place aux Huguenots.
Nostre Dieu renversera
Vous et vostre loy romaine,
Et du tout se mocquera
De vostre entreprise vaine.
Hau, Hau, Papegots,
Faictes place aux Huguenots.
Vostre Antechrist tombera
Hors de sa superbe place
Et Christ partout regnera
Et sa loy pleine de grace.
Hau, Hau, Papegots,
Faictes place aux Huguenots.
The current expectation of the Protestants is attested in a
long narrative ballad by Antoine Du Plain on the siege of
Lyons (1563), in which Charles the Ninth figures as another
Josiah destined to abolish the idolatrous mass:
Ce Roy va chasser l'Idole
Plain de dole
Cognoissant un tel forfait:
Selon la vertu Royale,
Et loyale,
Comme Iosias a fait.
It is noticeable that the words "va chasser l'Idole" are an
anagram of the royal title _Charles de Valois_--an anagram
which gave the Huguenots no little comfort. The same play upon
words appears with a slight variation in a "Huictain au Peuple
de Paris, sur l'anagrammatisme du nom du tres-Chrestien Roy de
France, Charles de Valois IX. de ce nom" (Recueil des Choses
Memorables, 1565, p. 367), of which the last line is,
"O Gentil Roy qui _chassa leur idole_."
Public-domain text, read in full here on John Shaqi.
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